A Quote by Lafcadio Hearn
In order to comprehend the beauty of a Japanese garden, it is necessary to understand - or at least to learn to understand - the beauty of stone.
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To those who do not know mathematics it is difficult to get across a real feeling as to the beauty, the deepest beauty, of nature ... If you want to learn about nature, to appreciate nature, it is necessary to understand the language that she speaks in.
The idea that beauty is unimportant or a cultural construct is the real beauty myth. We have to understand beauty, or we will always be enslaved by it.
What is the goal? A house that is like the life that goes with it, a house that gives us beauty as we understand it- and beauty of a nobler kind that we may grow to understand.
The aesthetic, as I understand it, is really about the way in which we understand beauty and speak and think about beauty.
For me the grotesque is necessary to understand beauty.
Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.
No better way is there to learn to love Nature than to understand Art. It dignifies every flower of the field. And, the boy who sees the thing of beauty which a bird on the wing becomes when transferred to wood or canvas will probably not throw the customary stone.
It is the search for beauty...That is what it is. We find ourselves on this earth--gods and men--and we know that it is beautiful. That is one of the few things we understand--beauty; because it is there, in the world, and we can see it all about us. We want beauty. It requires our love. It just does.
If you can visualize the whole of spring and see Paradise with the eye of belief, you may understand the utter majesty of everlasting Beauty. If you respond to that Beauty with the beauty of belief and worship, you will be a most beautiful creature.
Beauty feeds us. Anarchy is beauty. We are against the grey people. We want to decorate, like those fantastic Indian lorries which are covered with flowers. Beauty must conquer the lust for order; order is ugliness.
There are various orders of beauty, causing men to make fools of themselves in various styles, from the desperate to the sheepish; but there is one order of beauty which seems made to turn the heads not only of men, but of all intelligent mammals, even of women. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle and to engage in conscious mischief — a beauty with which you can never be angry, but that you feel ready to crush for inability to comprehend the state of mind into which it throws you.
The aim of art is to understand and establish order, which is another form of beauty.
A Senegalese poet said 'In the end we will conserve only what we love. We love only what we understand, and we will understand only what we are taught.' We must learn about other cultures in order to understand, in order to love, and in order to preserve our common world heritage.
The assumption behind any theology that I've ever been familiar with is that there is a profound beauty in being, simply in itself. Poetry, at least traditionally, has been an educing of the beauty of language, the beauty of experience, the beauty of the working of the mind, and so on. The pastor does, indeed, appreciate it.
The Japanese garden is a very important tool in Japanese architectural design because, not only is a garden traditionally included in any house design, the garden itself also reflects a deeper set of cultural meanings and traditions. Whereas the English garden seeks to make only an aesthetic impression, the Japanese garden is both aesthetic and reflective. The most basic element of any Japanese garden design comes from the realization that every detail has a significant value.
Beauty captivates the flesh in order to obtain permission to pass right through to the soul. . . . When the feeling for beauty happens to be associated with the sight of some human being, the transference of love is made possible, at any rate in an illusory manner. But it is all the beauty of the world, it is universal beauty, for which we yearn.
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