A Quote by Lafcadio Hearn

French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.
When we strengthen our relations with the Gulf states, when we cooperate with the Arabs, everybody asks if we are looking for a new geopolitical place. But in the Middle East and the Gulf, you can find German, French and British goods everywhere. German relations to these states are very good, as are English and French relations. Does this make them Arab-oriented?
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
Bad books on writing tell you to "WRITE WHAT YOU KNOW", a solemn and totally false adage that is the reason there exist so many mediocre novels about English professors contemplating adultery.
Novels ought to have hope; at least, American novels ought to have hope. French novels don't need to. We mostly win wars, they lose them. Of course, they did hide more Jews than many other countries, and this is a form of winning.
I think the French agonise more about being French, I don't think English think about being English that much. I think the Scottish think about being Scottish and the Welsh think about being Welsh, but the English don't really care. But the French think about it all the time, it's an absolute preoccupation.
Oh, I'm not English, I cannot talk on behalf of an English person. I'm French. I can say about French. They are quite emotional, though, and they talk about their emotions.
Oh, I'm not English, I cannot talk on behalf of an English person. I'm French. I can say about French. They are quite emotional, though, and they talk about their emotions
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I actually don't think there is any difference between French and American cuisine. French cuisine was always about discipline, about ingredient, about creativity, but also about simple. I see America as very similar in these rights.
All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.
There is nothing to be known about anything except an initially large, and forever expandable, web of relations to other things. Everything that can serve as a term of relation can be dissolved into another set of relations, and so on for ever. There are, so to speak, relations all the way down, all the way up, and all the way out in every direction: you never reach something which is not just one more nexus of relations.
French women love to shop and prepare food. They love to talk about what they have bought and made. It's a deeply natural love, but one that is erased in many other cultures. Most French women learn it from their mothers, some from their fathers. But if your parents aren't French, you can still learn it yourself.
French Yemeni relations are strong and good, they are relations depending on friendship and cooperation; my relationship with the president Chiraq are old and real.
It's liberating to perform in another language. There are some subjects I would never talk about in French, where they see me as a public figure, that I talk about in English.
There was a docudrama that was made, called 'The Death Of A Princess,' which was about a true story in Saudi Arabia. It was about a public execution for adultery. And when the movie was aired on British television, the Saudi government threatened to cut off oil exports and to cut off diplomatic relations.
Americans don't usually have to think about Canadian-American relations, or, as they would put it, American-Canadian relations. Why think about something which you believe affects you so little? We, on the other hand, have to think about you whether we like it or not.
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