A Quote by Laila Ali

For me, I like to imagine being successful. I like to imagine the end, which is success. I envision it, where I can actually see it happening. Going into the ring, seeing the fight happen, seeing me winning that belt, seeing me back in my dressing room celebrating with a slice of cake, which I always had. And the same with meetings. I do prepare though; that confidence comes from preparation, because that fear is in the back of your head of not doing well, of not saying the right thing or having the right information. That's where the preparation comes in for me.
It's a big moment, a heart-rate moment. It's all in the preparation for me. Watching the various takers, I can prepare as best I can. I can prepare, too, with my own team-mates - they practise, which, in turn, helps me practise trying to save penalties. I want as much confidence as I can in the preparation and then take it from that.
Just going out and seeing friends, not being cooped up in my house because I don't want to get my picture taken or anything like that - I've tried to let go of that stuff a bit, accept that it's going to happen to me, and not let it prevent me from doing anything I want to do, which I have in the past.
I've always had this nightmare of going back to the Kingdome and seeing myself waddle in bald, overweight, with a big belly hanging over my belt, and I just imagine people going, 'That's Steve Largent?'
Just going along with this, what I did, or what I do is I imagine not being myself seeing it, but imagine somebody else who's seeing it for the first time.
I don't think you can ever get used to being this famous. I've learnt how to keep things separate or at a distance. I've nothing to hide. But seeing this as work, like a job, means I can take a step back. It's me right now in front of you and in the papers but it's not all of me. If you give yourself entirely to the business, you'd end up going mad. And I'm not mad. Not yet.
Let me just say that to imagine racism does not exist is imagination. And to imagine that it does not create its own set of problems is true imagination. So let's not imagine that racism is gone, extinguished, because it's not. We are seeing this in the top levels of the political arena, and we are seeing it very, very plainly.
Even though the public may perceive me differently, I always feel like I'm learning something new, and I like seeing myself this way. It keeps me focused on doing things with the love and care that comes from knowing you can always improve. I always have that in my head.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
I'm probably one of the worst actors as far as preparation goes, because I actually don't prepare. I find it easier to read the script and whatever hits me in my stomach, like deep down, I just go with it. And the director kind of molds me whether to go right or left with it.
You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me. It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.
Maybe I'm seeing myself in a different way than the people in the audience see me, 'cause to me, I think I look like a ballerina and I feel like a ballerina. But maybe I'm not seeing what other people are seeing.
The number of Pelosi allies who have come to me and told me to back off, that I'm not doing the right thing, is exactly zero. The number of members of the caucus who voted for her, who have checked to see who was listening and then patted me on the back and then said, 'Keep going Seth, you're doing the right thing,' is literally dozens.
Being an adult, you've already suffered enough from your own mistakes, and the world, to come to this as a humble human being. So it's not like, "I'm going to do the right thing because it advances me," as much as it's like, "I'm going to do the right thing because this puts me closest to the dream I had as a 10-year-old kid."
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
There is something so sad about going online and seeing almost everyone shouting ‘Notice me, notice me!’ Which is such a human desire—to be acknowledged. But me responding to that with some sort of ‘You’re noticed, you’re seen’ only perpetuates the loneliness. Because I’m not seeing you; I’m not noticing you. And whoever you are, you so deserve to be noticed and valued. I feel lucky to have not grown up with the Internet because it forced me to get out, struggle and be so messy.
That always pushes me when I see Mbappe and Marcus Rashford doing well because I know they are probably looking at me and seeing what I'm doing and it's probably pushing them.
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