A Quote by Laila Robins
Tennessee Williams is an incredible writer for women because, in many ways, his women characters are him. He writes so passionately.
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When it comes to writing characters, whether men or women, I think a good writer writes good characters. I know many men who, for years, have written strong, progressive women characters.
Tennessee Williams was so adept at portraying characters who are both fallible and vulnerable. Women were a huge influence in his life, his mother and sister in particular.
It's just that the characters are speaking their mind. As opposed to it just being an expression, they're actually saying what's on their mind, and that's something that Tennessee Williams is really famous for. Shakespeare does that and Tennessee Williams does that. You crave that, when you're an actor, for sure.
Louis Brandeis actually changes his mind about women's suffrage because he works with these brilliant women in the women's suffrage movement like Josephine Goldmark, his sister-in-law, where he writes a Brandeis brief which convinced the court to uphold maximum hour laws for women by collecting all these facts and empirical evidence.
[Doctor Cukrowicz] was basically a role where you have two diva actresses - Maggie Smith and Natasha Richardson - and my role was to say, "And then what happened? Tell me more." But I wanted to do it was because a) it was Tennessee Williams, a great writer, and b) it was Richard Eyre, an amazing director. And to work with those two amazing women!
I think that's the kind of women that people are interested in. They're interested in strong women characters who are stronger than the male characters sometimes, in some ways. That's what's interesting and attractive about women.
The characters that I want to play are interesting women. I don't care if they're good women or bad women or vulnerable women or women with a lot of faults or women that we dislike intensely who are malicious.
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
I know black women in Tennessee who have worked all their lives, from the time they were twelve years old to the day they died. These women don't listen to the women's liberation rhetoric because they know that it's nothing but a bunch of white women who had certain life-styles and who want to change those life-styles.
It took the United States until 1920 to give women the franchise and another 40 or 50 years to start utilizing women's potential. How many women of incredible potential did we fail and what achievements were lost to all because we never tapped that potential?
When I'm older, I'd like to play one of Tennessee Williams's women and an older Adelaide in 'Guys and Dolls.'
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.
Growing up, I looked up to major league baseball players, and now these young women have amazing, incredible women all across the board, from swimming to gymnastics to softball to basketball. It is incredible how far women have come and women in sports have come.
Tolkien was such a brilliant writer in so many ways. He was truly an inspiration. Many people don't realize just how much he researched and how much he based his stories and characters on mythology of various types. He was very deep and in many ways a genius.
When I was young, I wanted to be a dramatic writer, a writer of tragedy. Nothing would've pleased me more than if I could have written like Eugene O'Neil or Tennessee Williams.
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