A Quote by Laila Robins
A lot of times you come against actors who come from a different direction, and you tend to meet in the middle.
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I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
I come from a community that has a lot of white kids, and I notice how, a lot of times, they don't understand our differences and how I come from a different culture and my ancestors are different and my history is different.
A lot of times when songwriters get together and write a song... somebody will come in with a hook and a lot of times they come out with something that sounds a little crafty.
Come, come, whoever you are. Wanderer, worshiper, lover of leaving. It doesn't matter. Ours is not a caravan of despair. Come, even if you have broken your vows a thousand times. Come, yet again, come, come.
It's really wonderful to come to work and have each episode be different, in a way. They have similar structure sometimes with the villain, but we can go in any direction we want. If we want to do an episode set in the circus, we can do that. You know how precious that is. That doesn't come around a lot.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from LA, are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
Some of the stuff, I absolutely don't remember recording it, it's been so long. But I do like to try to throw in something a little different for the audience once in a while. Because a lot of these people who come to see have come back many, many times.
In Georgia it's a little different because of the East Cobb program. It's such a strong program that we see a lot of kids that come through here on a lot of different teams from across the country that come here to play in tournaments.
What I learned about acting, from my experiences directing, is why so many producers and directors don't like actors. You go through all of this work securing a location, figuring out how to get electricity there, how to get trucks parked where they need to be, and where catering is going to come from. And if the actors don't come up with some magic, it actually didn't matter. That creates a lot of animosity towards the actors.
I've seen a lot of actors in a lot of different stages of their careers, and I've seen it come and go. People get a sense of entitlement from it. And that's when it starts getting you in trouble.
A lot of people think that in order to be an addict you must come from a broken home or from the other side of the tracks. Both of those excuses couldn't be farther from the truth. I come from a family that has a lot of love for one another and I was raised in a middle to upper class neighborhood.
If you want to do something different, you're going to come up against a lot of naysayers.
If you want to do something different, you’re going to come up against a lot of naysayers.
A lot of the times the first take was the best, because the actors are not analyzing themselves as much; they just do it. I believe in happy accidents and I'm not necessarily into actors getting the dialogue exactly as I wrote it; I'm much more into them understanding the motivations and have it come out in a natural way, and maybe catch something that I didn't expect.
Come, even if you have broken your vow one thousand times, come, yet again, come, come.
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