A Quote by Laila Rouass
I was shown around Ronnie's house by his father, who told his son about meeting me. Ronnie called the estate agent, a friend of mine, and asked me out via her.
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A friend of mine said to me a year ago, "You're so lucky, Nancy, because Ronnie left you the library," She said, "You have that to work on, and to go to, and, in a sense, to be with him." I had never thought of it like that, but it's true. I go to the library or work for the library all the time, because it's Ronnie. I'm working for Ronnie.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
Ronnie's lovely with his children, we see them often, and he's a fabulous step-father to Inez. He's such a good male role model for her and they're friends who laugh together as well.
I have a very dear friend, a great painter, called me up very upset, the work wasn’t going well… He asked me to come to his studio -- which I did -- I looked around at the work, dozens of sketches, drawings, large pictures, and I was very close to his work, intensely involved with his work, and he asked me, ‘What’s wrong?’ And I said, ‘Simple – it’s a loss of nerve.
I am an advocate of having a gold dollar with Reagan's picture on it, and calling it the Ronnie. The Canadians have the Loonie, and we can have the Ronnie.
In 1977, while I was performing in a play in Cardiff, a friend introduced me to a striking redhead called Myfanwy Talog, famed for her appearances on Welsh television with the comedy duo Rees and Ronnie. We were instantly smitten and eventually moved in together, sharing 18 happy years.
The story he [Todd Willingham] told me was this: He woke up to a fire. He ran out of the house and couldn't run back in to save his children, and that was enough to get me interested. ... There's a writer in me that's like, ... this is a great story. ... I have a good friend, who was my neighbor at the time, and I told her about it. ... She had been a reporter, and she was like, "Let's go investigate it."
A friend of mine has a son who became deaf through meningitis. He called me one spring and asked me to keep a week out of my schedule because he wanted to start a school for deaf kids. I wanted to help.
Don't say I was tough. I was strong. I had to be, because Ronnie liked everybody and sometimes didn't see - or refused to see - what the people around him were really up to. But everything I did, I did for Ronnie. I did for love.
An adopted son shall never take the family, name and the estate of his natural father, the funeral cake follows the family, name and the estate, the funeral offerings of him who gives ,his son in adoption cease, as far as that son is concerned.
It's funny when people ask if I'm a lesbian. I played a real estate agent in 'Father of the Bride, Part II,' but no one has asked me if I sell real estate.
One day Mani Sir called me to his office and narrated the script of 'Raavan.' He then asked me how good my Hindi is. When I told him that it's quite good, he asked one of his assistant directors to talk to me in Hindi and I was asked only to reply in Hindi.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
I met a zillion people through Ronnie Wood. He's been my friend since he was in The Faces, and he's still my best friend. A real person, earthy, working 24 hours a day, uplifting to be around, and he's still got that fire about music.
I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.
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