A Quote by Lajon Witherspoon
I'm that mild-mannered guy, but when we get on that stage, I think there is a magical force, and everyone sort of turns into a superhero. I get my gear on and I just go to battle. When you hit that stage, something comes on. It creates a different kind of energy.
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When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
There's been (if you sort of scan the magazines) announcements of different performers that has come and tried to get the British audience to go crazy, simply by them entering the stage because they had a hit record. It just doesn't happen. That happens in America.
Plays are wonderfully different than short stories, first because it's a story that's on a stage, but there's a different sort of tension that appears on stage - you get to see your characters in a different way - like with lights.
I think what's different about working on stage is that you have another chance to portray it again. If you don't get something right on film, you can do another take, but on stage, once it's done, it's done. You can't go back.
It's important for me not to peak before I hit the stage. In other words, I save all of my creative and physical energy for when I walk on stage. If I can get 45 minutes of just easy going, playing rhythm, songs, stuff like that, then that's what I do to make sure that I'm all stretched out and ready.
My approach is a bit unconventional because it kind of turns things around. I made a promise to myself at a very early stage that I wasn't going to try and force something into a specific shape. It's a process where I allow the songs to go where they want to go and it doesn't really fit into any kind of genre.
You should make an effort on stage because it's a performance. The stage should be glittery and camp, but I don't go down the shops in full stage gear.
I came from the stage so it was a different kind of acting, or a different arena of acting, and I just loved to do it as a kid. It's really gratifying to get to create these different characters and to get to create different voices and to get to wear different clothes.
I am not, in fact, a superhero. Just a humble, mild-mannered civil rights attorney.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it
go.
It's basically taking a 911 call, bringing them on stage and dealing with it just like when I was a Chicago policeman for 12 years. I personally become involved. Where Jerry lets people tell their story and lets everything happen on stage, I kind of go after the bad guy and protect the little guy.
For me, every time I step on the stage it feels like a battle is about to start. It's not like we're going on stage to fight against our audience obviously, because for me, when I go on stage, I'm always trying to reach a new level of how am I going to make today a great night for everyone that's present.
When I'm on stage, I turn into this rock person. I give everything I have. I sing with emotion, I'm loving it up there, and I think there's a lot of energy. In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience too, so they're feeling what I'm feeling. And the set up is great - I have two drummers and a bass guy so it's just us four.
One think that you notice about anyone that gets up on stage is that they don't really have a lot of self-awareness. It's kind of a trait that performers don't have because you just kinda just have to let go and do whatever you want to do on stage.
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