A Quote by Lajos Egri

Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it. — © Lajos Egri
Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it.
But whatever the era, whatever the times, one thing will never change: Fathers and mothers, if you have children, they must come first. You must read to your children and you must hug your children and you must love your children. Your success as a family, our success as a society, depends not on what happens in the White House but on what happens inside your house
Each piece of dialogue MUST be "something happening". . .The "amusing" for its OWN sake should above all be censored. . .The functional use of dialogue for the plot must be the first thing in the writer's mind. Where functional usefulness cannot be established, dialogue must be left out.
I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.
You must have a twinkle in your eye, a naughtiness - and the audience must realize your mind is working faster than your words.
If you would be a leader of men you must lead your own generation, not the next. Your playing must be good now, while the play ison the boards and the audience in the seats.... It will not get you the repute of a good actor to have excellencies discovered in you afterwards.
Your vivid, exciting companionship in the office must not be your audience, you must find your own quiet center of life, and write from that to the world.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
You must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well.
Whatever you may suffer, speak the truth. Be worthy of the entire confidence of your associates. Consider what is right as to what must be done. It is not necessary that you should keep your property, or even your life, but it is necessary that you should hold fast your integrity.
You can sing only what you are. You can paint only what you are. You must be what your experiences, your environment, and your heredity have made you. For better or for worse, you must play your own little instrument in the orchestra of life.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
If you want to keep a secret, you must also hide it from yourself. You must know all the while that it is there, but until it is needed you must never let it emerge into your consciousness in any shape that can be given a name.
Typically, when you're with your friends, premises are coming up left and right. But when you're on stage, you must create the premise. So you have to create the premise, paint the picture and then deliver the punch line.
Ultimately of course, parents must take responsibility for their children's health, .. Our message must be: What you don't know about your children's health insurance options can hurt them. It's up to you to find out if your child is eligible for this health insurance.
You should not build your customer service system on the premise that your organisation will never question the whims of your clients.
The poor of the United States and of the world are your brothers and sisters in Christ. You must never be content to leave them just the crumbs from the feast. You must take of your substance, and not just of your abundance, in order to help them. And you must treat them like guests at your family table.
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