A Quote by Lake Bell

The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.
To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.
You put together two people who have not been put together before. Sometimes it is like that first attempt to harness a hydrogen balloon to a fire balloon: do you prefer crash and burn, or burn and crash? But sometimes it works, and something new is made, and the world is changed. Then, at some point, sooner or later, for this reason or that, one of them is taken away. and what is taken away is greater than the sum of what was there. this may not be mathematically possible; but it is emotionally possible.
When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.
You put together two people who have not been put together before; and sometimes the world is changed, sometimes not. They may crash and burn, or burn and crash. But sometimes, something new is made, and then the world is changed. Together, in that first exaltation, that first roaring sense of uplift, they are greater than their two separate selves. Together, they see further, and they see more clearly.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
Every now and then we'd meet up and reminisce about the characters. At the beginning, shortly after we started shooting, someone sent me some clips put together on youtube. It was the first time I'd seen something like that. "The intimate moments of Mulder and Scully."
For someone to be taken seriously it was valuable to have the appearance of someone who deserved to be taken seriously.
The first time I did 'The Voice,' I was honestly terrified. You're with Tom Jones and Will.i.am, seriously mega-talented people, and I felt like I was winging it. Then you realise everyone is in it together.
Get over the feeling that the two words don’t go together - women and power. The fact is, if we don’t put the two together, and don’t understand how power changes complexion in the hands of women, then we’re not going to make it.
I don't really worry about whether things fit into a genre or not, it's whether I like it and whether the two things sit well together, that's my main criteria when I write.
You want the truth, of course. You want me to put two and two together. But two and two doesn’t necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labeled bones.
Whether it is fear of having fish pie or staying in someone's house or not being able to tell the time, all of those things I can remember very clearly. We so often forget how big all these things are for very small children because they are so often trying these things for the first time.
...academic credentials are neither a necessary nor a sufficient condition for having your ideas taken seriously. If a famous professor repeatedly says stupid things, then tries to claim he never said them, there's no rule against calling him a mendacious idiot - and no special qualifications required to make that pronouncement other than doing your own homework.Conversely, if someone without formal credentials consistently makes trenchant, insightful observations, he or she has earned the right to be taken seriously, regardless of background.
I think the best research is people you meet and things that they say, rather than second hand accounts of something. I think when you meet someone and talk to them, then you get the real thing and that's what you can use. That's the material you can actually put on the page.
I wanted to tell you everything. And that hurt because some things were too scary. Some things even I didn’t understand. How could I tell someone—someone I was really talking to for the first time—everything I was thinking? I couldn’t. It was too soon.
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