A Quote by Lake Bell

I love accents in general. I'm obsessed with dialects, and I had to write a whole movie about it called 'In a World...' — © Lake Bell
I love accents in general. I'm obsessed with dialects, and I had to write a whole movie about it called 'In a World...'
I'm obsessed with how people talk! Accents, dialects... So whenever I go someplace where an accent is extremely distinct - Minneapolis, New Orleans, Jamaica, Vancouver - I always find myself trying to pick up the subtleties of their patterns.
I love dialects and accents; they're something that really resonate with me and that I find fascinating.
I think dialects should be left alone. People should write in whatever dialect they feel they want to write. In the fullness of time, these dialects will sort themselves out.
My whole deal when I do accents or dialects is I gotta fool the locals. If I fool the locals then I've done my job.
I had to do some emergency cram sessions with the dialogue coach on set [of the Punisher: War Zone]. But it was fun, because every actor on that movie had to do an accent, so we were all talking the whole time in our accents.
You become so obsessed, and that's not a bad thing for a movie. Serve it with that sense that it's the whole world.
I actually worked in the general market for many years writing steamy historical romance, and I had more freedom in the Christian market than I ever did in the general market to write about any issue that I needed to write about.
Something I realized when I moved to America: people get these general American accents, but when they get angry or upset or excited, their original accents come out. It's something I noticed with my manager, because he's from New York, and the first time he got angry, he suddenly had this accent.
I had a student once come up to me and we were talking about this incident, and, of course, I never had the right thing to say. But later on, I realized I should have said: Don't write about trying to change the world, just write about a changed world or a world that's not changing. Let that do the work.
I guess I see a part of myself in everyone I write about. I tend to write about kids who are obsessed with something, and even though I have never been good with machines the way Hugo is, I did love miniature things when I was a kid.
The pageant movie I'm obsessed with is 'Miss Congeniality', hands down! I could quote everything from that movie. I love so many scenes, but I always find myself quoting the scene when Sandra Bullock goes, 'I really do just want world peace!'
Perez Hilton is brilliant to me. Because he’s taken something that people don’t think is valid, don’t think is important, and he’s made them obsessed with it. People are obsessed with him. They’re obsessed with his site, they’re obsessed with what he does. They love him. They all love him. They love you, they hate you, what you don’t want is indifference. The day that I put a record out that nobody says a damn thing about, that’s bad.
In my work I try to get things right, to do it well, and if there are specific skills involved - like in a case conducting or playing the piano, or in this film I have coming up where I play a character who is German - I'm very meticulous about learning accents and dialects and those kinds of things. That's probably the closest I come to being a perfectionist.
I grew up being fascinated by accents and dialects. One of the things that interested me were actors that were doing different characters, or sort of more caricatures.
I went through various phases of different accents - I get ridiculously obsessed with different accents, different regional ways of using the voice, different types of singing. It's all tied together. Speaking is a kind of singing, as are crying and laughing.
I've always written about people who have very abstracted in a certain way. I write about scientists and artists and musicians. I write about people who live in their heads who are very obsessed about a certain set of details in the physical world.
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