A Quote by Lakeith Stanfield
I wanted to be as genuine as possible because all those people like Jimmie Lee Jackson - me, Mike Brown, all these people - we're all the same; we're not much different.
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Art morphs with what's going on in the world. We say 'Ferguson'; we don't say 'Mike Brown.' Just like we say 'Selma,' not 'Jimmie Lee Jackson.' There is something startling about the people in a particular place, a city or a small town, rising up and taking to the streets.
I love a good lyricist - always have. The thing that inspired me most was the different performers, like Tina Turner, James Brown, Michael Jackson, Madonna, even Janet Jackson.
You know, I've always told him (Larry Brown) I wanted the relationship that Michael Jackson... Michael Jordan, I'm sorry. ... I wanted the same relationship with him like Phil Jackson and Michael Jordan had.
I think what people need to realize is that, with trans people, we're like everybody else. No group of people are all the same. All women are not the same, all men are not the same, all children are not the same. It's the same thing with trans people - we're all so different, we have different goals, different dreams, and different aspirations.
I overheard people saying, 'She thinks she's so great because she's Debbie Reynolds' daughter!' And I didn't like it; it made me different from other people, and I wanted to be the same.
I just like country because a lot of those guys are from towns that I'm maybe from, for one. But also, I like how humble they are, and they're genuine people, I think. I'm not saying that rappers or rock and roll, those people, aren't. But I just feel like I get along with those guys because they're from small town.
I been seeing other people work with Belaire like DJ Khaled, Rick Ross, and stuff like that. But other than that, I just wanted to work with them because they showed me mad love and were genuine when we were locking in the deal. For me, it had to make sense and be genuine, and this partnership definitely felt that way.
Directors like William Friedkin (Killer Joe), Steven Soderbergh (Magic Mike) and Lee Daniels (The Paperboy) got in touch with me and wanted me to be part of their films. That was a whole new chapter for me. I didn’t chase any of those films and it made me think that I was right to take a chance, say no to the kind of thing I had grown tired of doing, and wait until something good came around. And it did.
Mike Brown wanted to hire me to work with LeBron in player development.
I'm just one woman away, my mother, from being the same as Mike Tyson. I would've ended up like him if my mama had not been so tough and strong. A lot of people, including Mike, don't know I came from the ghetto. They think I'm too nice and proper. But that's the way my mama raised me - to look people in the eye and respect them.
The hope with Tipping Point was it would help the reader understand that real change was possible. With Blink, I wanted to get people to take the enormous power of their intuition seriously. My wish with Outliers is that it makes us understand how much of a group project success is. When outliers become outliers it is not just because of their own efforts. It's because of the contributions of lots of different people and lots of different circumstances.
I always knew I wanted to be an actress, and I had the attitude that I would learn more under people like Samuel L. Jackson, Laurence Fishburne or Mike Myers than from someone who had never starred in a movie. I just didn't think that someone who had never been in a movie could teach me how to act in one.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
It wasn't that she was different from all the other girls at Jackson. That was obvious. It was that she made me realize how much I was just like the rest of them, even if I wanted to pretend I wasn't.
Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.
I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.
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