A Quote by Lalla Ward
Although the French were very friendly and helpful. On one location we were to film at the top of the Eiffel Tower but we couldn't, as it was so misty with four inches of snow on the ground. We couldn't see a thing but we finally got it done.
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...It looked very different from the Statue of Liberty, but what did that matter? What was the good of having the statue without the liberty, the freedom to go where one chose if one was held back by one's color? No, I preferred the Eiffel Tower, which made no promises." ~ Josephine Baker, once she had seen the Eiffel Tower
I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
Man has been here 32,000 years. That it took a hundred million years to prepare the world for him is proof that that is what it was done for. I suppose it is, I dunno. If The Eiffel Tower were now to represent the world's age, the skin of paint on the pinnacle knob at its summit would represent man's share of that age; and anybody would perceive that the skin was what the tower was built for. I reckon they would, I dunno.
I don't like being up high. It took me three days to get to the top of the Eiffel Tower.
When you are not feeling particularly friendly but know you ought to be, the best thing you can do, very often, is to put on a friendly manner and behave as if you were a nicer person than you actually are. And in a few minutes, as we have all noticed, you will be really feeling friendlier than you were.
The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now— James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too.
My uncle, gentlemen, could say nothing; he was so very much astonished The queerest thing of all, was, that although there was such a crowd of persons, and although fresh faces were pouring in, every moment, there was no telling where they came from. They seemed to start up, in some strange manner, from the ground, or the air, and disappear in the same way.
The process of making an independent film is like building a mini Eiffel Tower with popsicle sticks - it doesn't happen overnight, and it's not easy.
Men flocked to see it and ascended it as it was a novelty and of unique dimensions. It was the toy of the exhibition. So long as we are children we are attracted by toys, and the tower was a good demonstration of the fact that we are all children attracted by trinkets. That may be claimed to be the purpose served by the Eiffel Tower.
There are so many opportunities to see the sun go down in the evening and the sun come up in the morning. The colors change on the trees, on the snow. I'm surrounded by people who are friendly and helpful.
Well the thing is, once you have a snow leopard it's difficult to go back. Everything is going to be slightly disappointing. It's very telling what your choice would be. Because that's probably how you see yourself. We used to play that game as kids and you'd say if you were animal what would you be and it'd usually be the opposite of what it should be. But all animals have got their virtues. You know, cockroaches got virtues.
There are specific things in our world that are incredibly dangerous. Wingsuit BASE jumping is the very, very top of that. Big alpine climbing objectives are maybe right below that. I've probably had 20 friends die - people who were pretty close to me. I would say about 18 of them were because of snow.
It was a mind-blowing experience, it really was-absolutely an awesome thing. . . . As I got to the top I released a bag of M&Ms in the cockpit. It was amazing . . . Looking out that window, seeing the white clouds in the LA Basin, it looked like snow on the ground.
I had four C-sections and my stomach looked like the map of the world. My breasts were hanging down to here from breastfeeding those babies, and my nipples were like platters. I wanted to fit into the gowns that I finally got to wear.
It's hard to top what you see in the film, they were just such a great group of people to work with and we all hung out in between scenes and I got to know everybody a little bit.
Somehow Annie Flanders from the SoHo News heard I was doing pictures and was headed to Paris. She saw my worked, liked it, and asked me to take pictures for her paper while I was there, but told me I would first have to buy a real camera - 35-millimeter. I got a little book that taught me how to load film. I read it on the flight to Paris. Hours later, I found myself at the top of the Eiffel Tower with Yves Saint Laurent and Andy Warhol. It's all been downhill since then.
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