A Quote by Lalla Ward

Don't ask me who my favourite monster was because I'm sick of saying Tom Baker. — © Lalla Ward
Don't ask me who my favourite monster was because I'm sick of saying Tom Baker.
I was born in 1971, and Tom Baker was sort of my obsession as a kid and that's why we got him to do the voice over for 'Little Britain' because I was actually obsessed with Tom Baker.
I remember Tom Stoppard saying to me when I came out, 'I feel so sorry for you, because you'll never have children.' These days I would say, 'Well, why not, Tom?'
I remember Tom Baker once said to me many years ago: never go back, particularly with TV shows. This is because the track record for characters returning to series they've left is not very good.
I didn't even have a portfolio, but I went to Tom Ford the next morning. He said, "I'd love you to come in with me. Get a lawyer." It was quite exciting, obviously, because it was a complete departure. But mind you, what he was looking for was the exact opposite of what I thought. My first collection for him was Cher-inspired. It was flower trousers, California, hippie cool, all the stuff I did at Oscar. It was making me sick. I wanted to see the other side of the spectrum. Tom was always very secure about the way he did things, so it was quite interesting for me.
The monster behind the wall stirred. I'd come to think of it as a monster, but it was just me. Or the darker part of me, at least. You probably think it would be creepy to have a real monster hiding inside of you, but trust me - it's far, far worse when the monster is really just your own mind. Calling it a monster seemed to distance it a little, which made me feel better about it. Not much better, but I take what I can get.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
I don't like it when people ask me what my favourite Beatles song is. I always get that. First of all, I don't like having to pick a favourite thing anyway. You can't pick a favourite Beatles song! What about "Strawberry Fields"? What about "Lucy In The Sky With Diamonds"? What about "Tomorrow Never Knows"? Come on. That question is small minded to think you could even have a favourite Beatles song.
My favourite all-time work of fiction: Lord of the Rings. My favourite all-time nonfiction book: Guns, Germs, and Steel. Ask me again next week, you'll get a different answer.
I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words.
I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?
Country music in the mid-'90s was a big influence on my career, and I played all the songs that are referenced in '94' back in my club days. Joe Diffie was rocking a sick mullet, and he was hotter than ever... just putting out monster hit after monster hit. It totally takes me back to those days, and it makes me smile every time I hear it.
I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
When I listen to a fascist, like Rush Limbaugh or Tom Delay or somebody like that, they help me define my views. I ask myself, 'Why do I feel so strongly the opposite of what that guy is saying? He's not stupid. He's evil, but why is he evil?'
People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher.
Even if I hadn't been cast as Doctor Who, my acting would probably have been influenced by William Hartnell or Patrick Troughton, Jon Pertwee, Tom Baker, and all of the other guys. Because those were the actors that I really watched every moment of, as opposed to Laurence Olivier.
The sort of lifetime achievement stuff that I'm getting now is kind of like Tom Sawyer's funeral because they all know I'm sick. I am getting buildings named after me and awards and stuff.
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