A Quote by Lana Condor

When I am driving to an audition, I listen to the 'Hamilton: The Musical' soundtrack. It's super inspiring, but also, if I kind of sing-slash-rap along to it, it helps me with my pronunciation and dialect.
I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.'' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing.
I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing.
I have to have music as a soundtrack to writing fiction. I listen to it at other times, too, but it helps me write.
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
I can't stand rap....people who can't sing do rap....you can sing rebellion as well as talk it....Hitler would have been in a rap band.
If you looked at my music collection and saw an album that was a soundtrack to a musical, it's probably because I had bought it to learn the music so I could go and audition.
I never solicited myself as a singer until I realized I could use that to a musical standpoint. I loved musicals growing up. Classic films were some of the only ones I watched. So when the opportunity came for the show to audition, of course it was all of a sudden, "I sing! I sing! Send me in, please. I beg of you."
I listen to 50 Cent, Jay-Z, Stereophonics, Arctic Monkeys; also the musical Oliver - I can sing every tune.
My embarrassing confession is that my father is a 'Camelot: The Musical' obsessive. So as a child, when we were going to visit relatives on the weekend, whenever we were driving back on these three-hour drives, he would be playing the musical soundtrack on repeat, on the cassette in our car, to the extent that we begged him never to play it again.
I went to a performing arts school. I went to an audition for a musical, 'Les Miserables,' in the West End, and I got in, and my parents were like, 'Oh, you can sing?' So I kind of started singing properly when I was, like, seven.
Good preparation is key for me. Nowadays everyone is an actor slash writer, slash this, slash that, its cool; and you can only go so far on pure talent so you also need to know your craft well. I directed tons of shorts in college and acted in a slew of non paying acting work. You just have to be prepared. Period.
I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.
I did a lot of musical theater when I was younger, and I really hope to get back there someday. I miss singing a lot. I listen to Broadway show tunes in my car and sing along to them.
I don't listen to much rap, really. I can rarely listen to a whole record of it, because musically, it's very formulaic, and oftentimes it doesn't have the best hooks on every track. I like my music to be very musical.
I'm very eclectic in what I like and what I listen to. But my favorite musical ever is "The Sound of Music." That was actually one that inspired me to sing.
Growing up people would tell me: 'Yo, you only can do one thing. If you're going to rap, just rap. If you're going to sing, just sing.' It boxed me in. But I just figured out a way to show everything. It's like if you have a job interview, you want to present as many skills as you have.
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