A Quote by Lana Condor

I never considered myself as part of a biracial family - we're just a family - but my parents are white, and my brother is Asian. — © Lana Condor
I never considered myself as part of a biracial family - we're just a family - but my parents are white, and my brother is Asian.
My husband is actually biracial. He is Caucasian and African American. And my brother's fiance is Latina. So we have a colorful family.
It was an all-white church. It was starting to decline. They had to hire a new pastor, and they hired him. But he came under the condition that "I want and I'm called to make this a multiethnic church." So they knew. He's interesting because he's part-Asian, part-white. He's married to a Hispanic woman, so that's their family and that's their vision.
I define myself by my family: my parents or my brother or sister and their families.
When you have a family, even though you might move a lot, you collect all of these things. It's the detritus of your family and they become the symbols of your family life, and your unit out in the world. In that moment I wanted to allude to the fact that the way my parents' relationship was falling apart was impacting me and my brother, my parents, but also our symbols.
I am a family man. I do not want to be considered a womanizer or a ladies' man. I do not want to be attributed to romances that I never had. And example for me is my parents, who have created a strong family for life.
When I do an Asian character or an Asian voice I'm doing one because that's my heritage and my family and where I come from. My family is of Korean descent and specifically North Korean descent. So it makes sense for me to talk about that issue because it's the only weapon I have to somehow avenge my family and my history.
Since my brother died in 1982, my parents and I had formed a shaky tripod of a family; now that I'd lost my father too, it was too easy for me to glimpse a future point where I alone was the keeper of not just my own childhood memories, but of my family lore.
I come from a performing family. My parents are Nigerian, and their parents and their parents - and it's all about performance in their culture, you know. The music. The dancing... you're told to stand out at family gatherings and perform in some sort of way. You're just kind of born into it.
It was just music all day... My neighbors were musicians, and my brother and my family and everybody... It was just a musical neighborhood. I think the neighborhood was such a good family type of vibe for me that I didn't even realize some of the people weren't my real family till later on in life.
...our family is white as far back on the family tree as I've ever looked, and I guess I picture people white white white unless someone tells me otherwise
I have a dream of re-creating the fantastic family I grew up in with my brother and my parents. I am lucky that I have such a good image of family life - my father and mother are still in love, still happy.
I think I've written about family and things in 'Taipei' which could be considered Asian culture.
All the networks have always been willing to have ethnic people as the third or fourth lead or the best friend to the white person. But to actually let a black family or an Asian family carry a show, that's something where there hasn't really been a precedent set in terms of a real financial gain.
I got family in the U.K. on my dad's side of the family. My grandfather's brother moved to the U.K. from Jamaica. It's a pretty big family I'll have there.
As I got older, I realised that people saw me as other things - sometimes Korean, sometimes Japanese, sometimes just Asian. When my family moved to a more affluent white neighbourhood, I started to see myself as 'other', this amorphous category. I didn't even know what 'not other' was, but I knew I wasn't it; I wasn't what was normal.
Just because one brother is good and one brother is bad in the same family, we cannot say that the rest of the family is bad or good.
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