A Quote by Lana Condor

Being an actor is hard. It's so true... auditioning is literally our full-time job, and then, if we are so lucky to book the project were auditioning for, then that project is our play.
I guess I did a couple of things when I was a kid, but they weren't really acting - I think I walked down a corridor or something. Then I didn't want to do it at all. I got into it because both my parents were actors and so I went with the flow. Then I said, "I can't handle this, I don't like auditioning." I still hate auditioning, but it's less painful then it was back then.
There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.
It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
When we consider a project, we really study it-not just the surface idea, but everything about it. And when we go into that new project, we believe in it all the way. We have confidence in our ability to do it right. And we work hard to do the best possible job.
I slowly came to realize that this job of being an actor, you spend most of your time looking for work. That is your job. Your job is auditioning. You spend very little of your time actually working.
I quit the tax job then and decided that I was going to play in a band. I answered ads in the Village Voice and went through two days of auditioning for bands.
Some people like doing crossword puzzles or Sudoku. I love auditioning. On camera, I hated auditioning. But voiceovers I like trying to figure it out, then getting in there and seeing how close you can get.
I tell anyone who is willing to listen that auditioning is the hardest part. Once you get the job, you have the job. You can go to work. You learn your lines. You learn your character. With auditioning, you can have five in a week with different people.
The good thing about auditioning is that you get to test yourself and see if you can play this character - you're also auditioning yourself.
If you embrace a project that will require time and patience, then you need something to work on. So the first step of the project is to create an identity. If you don't have an identity, then today you want this player and tomorrow another one. If you have an idea and a shape, then this is how you develop an identity.
I've had some rank auditions where I embarrassed myself to new heights, which is hard for me to do. I was never good at auditioning. There are a number of actors over the years come up the ranks who are horrific at auditioning.
I was like, 'Whoa, I'm auditioning for 'Hunger Games?' That's like my dream come true. That's like a Trekkie auditioning for 'Star Trek.'
I was like, 'Whoa, I'm auditioning for 'Hunger Games?'' That's like my dream come true. That's like a Trekkie auditioning for 'Star Trek.
I've been really lucky that I've kind of gotten to flow from project to project, because I find it's very important that when you're on a project, you are so invested in it.
I was actually away in Africa doing 'Generation Kill' while everyone was auditioning for Twilight. They all had, like, five different auditions: I was so lucky that I came back from Africa just in time and the actor who was playing Emmett fell through, lucky for me!
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