A Quote by Lana Condor

When I first started auditioning, I was so, dare I say, desperate and hungry for a job that I pretty much went out for anything my agents sent me with a few exceptions. — © Lana Condor
When I first started auditioning, I was so, dare I say, desperate and hungry for a job that I pretty much went out for anything my agents sent me with a few exceptions.
I started acting when I moved to California when I was nineteen. I started auditioning. I was waiting on my manager at the time. I was waiting on her table, and she sent me on an audition. From there, I just kept auditioning and, luckily, got parts.
In my experience, with very few exceptions - I am, as it happens, one of the exceptions - the one thing that most editors don't want to do is edit. It's not nearly as conducive to a successful career as having lunch out with important agents or going to meetings where you get noticed.
He says he had to go help someone in a desperate situation. Who, exactly, he refuses to say. He doesn’t know when he’s going to be back, but suggests we put off the wedding for a few days. The rotter! How dare he just zoom off and not tell me where he’s going, or who he’s going to help, or what exactly he’s up to!” Yeah, how dare he go out and be all heroic and stuff when you want him here slobbering over your big boobs.
I left my job as a feature writer on a newspaper to write a book, then sent it off to a number of agents thinking they would all reject me. Within a week, most had come back to say they loved what they had read, which then led to a bidding war for my first two novels.
I came to New York and started doing stand-up and improv, and started auditioning for commercials and voiceovers and stuff. My first job was on a pilot of that prank show called 'Boiling Points' on MTV.
When I first started, I just wanted to work. I wouldn't necessarily do anything, but I'd pretty much almost do anything at the very beginning.
And so when I graduated I moved to New York, and I was waitressing here and auditioning - and I got my first job pretty soon after.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
I didn't go to university. They offered me a job as a junior reporter and I went off to work for the Southern Reporter. They sent me to college to do my NCTJ, which is a professional exam for journalists, and I started work as a print journalist purely because I was just a pest. They couldn't think of anything other than giving me a job to stop me hanging around.
I started auditioning when I was about 10 and I didn't get my first job until I was 12, and two years at that age is really hard.
They say, "Katie, you're wrong." And if I say, "How dare you say that? I have studied and studied." Or, "I am an expert in" whatever area we're talking about. Or, "No, you are wrong! And I think you're rude!" Or anything like that, and if we don't say it out loud, maybe we think it, but that's stressful. The moment I've defended, in any way, I've started the war.
In 1989 at Greater Saint Steven Full Gospel Church, I gave my life to Christ. That's pretty much where it all started for me. I was 23 years old at the time, right after my first year in the NBA. The pastor preached a message about being fully committed. That pretty much was me. I wasn't fully committed. I was kind of in and out all of the time. So I just wanted to make a commitment.
'Tampopo' is a deeply odd film about Japan, ramen noodles, love and sex. It made me very hungry and desperate to travel to Japan. It started my love affair with this amazing country, its culture, its food, its cinema and made me buy my first ticket to the land of the rising sun.
I'm gonna fight, and I'm gonna make something out of nothing. That's pretty much the American dream. So, for me, the realization that I could speak to people like that came first on a small scale. Then it just started happening. I started having this vibration.
...I just pulled a pretty big job and needed to hide out for awhile." "...Where's all the loot?" "That, as my cousin Nord would say, is where my improvised lie falls apart." Artemis put two and two together and arrived at a very unpleasant four. "You were here to rob me!" "No, I wasn't. How dare you?!
I started auditioning, and the first job I ever got was understudying Amy Ryan in 'The Sisters Rosensweig' on Broadway, directed by Daniel Sullivan. I was 18 years old.
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