A Quote by Lana Del Rey
When you're an introvert like me and you've been lonely for a while, and then you find someone who understands you, you become really attached to them. It's a real release.
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My characters live inside my head for a long time before I actually start a book about them. Then, they become so real to me I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.
Becoming a real researcher has been the ultimate humbling experience for me. Nature is the examiner from hell; if you find new things at all, you always find them the hard way, with sweat and tears. Only then do you notice that there was a really easy way to find them. But this insight rarely arrives before you have been utterly humiliated and reduced to despair.
Clients become very attached to the fitter who they feel understands them.
I noticed the different kids were always put down by other people and it would cause them to become almost violent with themselves. It's not really necessary; there's a way to find strength in yourself, and for me it was writing. That was sort of my release and my escape, so the term 'Knives and Pens' to me was like a choice. You can either create, or become violent, and maybe go down a dark road.
Never forget that you are a [child] of God. He loves you. Live by your standards. Stand up for what you believe in. Sometimes it is not easy, and you may be standing alone for a while. Look for friends with integrity and character, then go to them and express appreciation for their examples. You might even find someone who has been feeling as lonely as you. Pray for guidance and protection from the Lord. He will sustain you. He will become a trusted friend, and you will discover that your example will attract many friends who will take courage from your strength of character.
Society is afraid of alonedom, like lonely hearts are wasting away in basements, like people must have problems if, after a while, nobody is dating them. But lonely is a freedom that breaths easy and weightless and lonely is healing if you make it.
I like to keep in touch with my exes and I've been fortunate enough to end on a good note with them. It's always been important to me because it's crazy how you can love someone so much one second and hate them the next. I just find it really bizarre!
The main reason people fail is they become attached to others who hold them back. Letting go of others and going forward may seem like a lonely and impossible task, but I assure you it is not.
I feel like you come in under a cloak of someone else's skin for a while, but then you can shrug it off - you have to find your own voice, if you want to keep doing it. That became a really conscious thing for me.
One of the things that has been the most beneficial for me in real life is that I've been able to really become stronger physically, and so I try to get to the gym at least - while I'm working, it's hard sometimes.
My characters live inside my head for a long time before I actually start a book. They become so real to me, I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.
Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.
All my life I've been lonely. I've been lonely at crowded parties. I've been lonely in the middle of kissing a girl and I've been lonely at camp with hundreds of fellows around. But now I'm not lonely any more.
It's hard to find a writer that really understands the intricacies of flirting and the development of love, the development of getting to know someone, the development of chemistry in real life.
You wait a lifetime to meet someone who understands you, accepts you as you are. At the end, you find that someone, all along, has been you.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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