A Quote by Lana Del Rey
I made that first record in 2008, alongside the EP, but my label at the time waited three years to release it. They thought maybe someone bigger would buy it, but they didn't, so in the end they just released it themselves.
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When I first released 'The One And Only' nobody knew it was going to be so big. I just thought, 'Oh, this is what happens when you release a record? Brilliant! Let's release another.'
There can be a wrong time - it's happened to countless bands where they release their first record on a major label and never learned what they maybe should have learned on an indie.
It was three breakups going on at the same time. It was breaking up with my band, and my boyfriend, and right after that, my record label. I was arguing a lot with my record label during that whole time, so maybe they all affected each other. This record, Mondo Amore, came out of a time that was really heartbreaking and confusing, and that's why I switched the sound up a lot, to make it sound a little bit grittier and more raw.
I could never release something on the label I didn't personally love. The label's really an extension of my own musical career, and I'm intensely involved with every aspect personally, so it'd be a betrayal to myself if I released something simply because I thought it would make money.
The first record we made in three days. We literally stayed up for three days making the first album. It was crazy, crazy, crazy for us to do that. We couldn't believe anyone would give us a record deal. I look back on that record fondly but with just the slightest bit of a cringe.
Are people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn't have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink's office with a bunch of psychos and you wondered if you were one.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
I think that we just take our time with everything. We don't feel that there's a rush to become something that we're not yet. We like to really feel things out and know what we're doing. We hadn't ever really played a lot of shows live after we released our EP, and that's when we started doing it - we started playing out live consistently right after we released our EP and we got a new drummer because Shannyn [Sossamon] had quit.
It became a question of do I want to be on a label where it could take three years to put out a record instead of putting out three records over the same period of time on my own.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
There was a time when certain producers could produce just about anything, and the label execs would say, "That's a such-and-such record. Let's put that out as the first single."
Let's just cut a live record with three microphones in four days and talk about lizards and aliens. If I had taken that idea to even an independent label, I don't see a label out there that would've said, 'Oh yeah, that sounds great. We know how to market this.'
I ask myself all the time, 'Why keep doing this?' If I wasn't exploring or finding something to write about that was personal or meant something, there'd be no reason. If I was ever making a record just to make a record, or ever just like, 'Just put something out there that someone will buy,' I would quit.
I'm 23, and if I wanted to release a record when I was 17, I could have released a record, but I'm really glad I didn't.
When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.
I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
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