A Quote by Lana Del Rey
I've been writing since I was really young, so I considered myself a writer for a really long time.
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If I really considered myself a writer, I wouldn't be writing screenplays. I'd be writing novels.
I've been a writer since I was a kid. I've been a writer since I was, you know, dictating stories into a tape deck and trying to get my mom to type them up - when I was really, really little.
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
I had to take a big risk by writing my young adult book series 'The A Circuit' and putting myself out there in that way. I don't consider myself a good writer, so I had to rely on a co-writer. Still, I knew that people would judge me and my writing. I am really proud of the way the series turned out.
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
For such a long time, when you're a writer, you really are just writing for yourself, and maybe a few friends. So it's really amazing when your book gets out there and more people are reading and responding to it. It really makes the world of the books feel real.
We've just been sort of spinning our wheels for such a long time, for decades really, with each new president being considered illegitimate by the other side. That's been the case ever since Bill Clinton. And it's a - you can't keep frittering away your political capital that way and expect there not to be some long-term rot that sets in.
I've been writing since I was really young.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
One reason I didn't trust my writing for so long was that I always considered myself a serious dramatic actor. But people would always laugh when I shared my writing with them. It took my husband to help me see that I really am part humorist.
And being away and not performing for a long time and really connecting with my audience for a long time, I have a great responsibility to myself and to them to do it exactly the way the process was when I was young.
By the time I went to Yale, I'd been acting for a long time and I was really tired of it. I was restless - and a little bored - and I was really eager to investigate different parts of myself.
I've been writing since I was very young, even before I was a teenager. As far as I'm concerned, I am a writer - whether my writing's spoken or written in a blog, paper, book or printed on the side of a submarine.
I just think of myself as a writer. Yes, I'm a woman. And I'm a writer. The main challenge is that I like to write stories about young women, and society doesn't place much of a premium on young women's stories. And I think that's why I gravitate towards it. I really honor that, and I treasure that time, and they should be given that respect.
I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.
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