A Quote by Lana Parrilla

I loved 'White Christmas' for the music aspect. I was into musical theater. — © Lana Parrilla
I loved 'White Christmas' for the music aspect. I was into musical theater.
I've loved musical theater ever since I was a kid. My mother's a pianist, and my grandfather was an amateur theater director and stand-up comic. And I was an only child. And I loved attention. So from an early age, my family was teaching old musical songs.
Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
I've always been interested in music. In high school, I did a lot of musical theater, and I loved it.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
The real reason Jews don't have more Hanukkah music is that, historically, American Jewish singer-songwriters were too busy making Christmas music. 'White Christmas,' 'Rudolph the Red-Nosed Reindeer,' 'Silver Bells' and 'The Christmas Song (Chestnuts Roasting)' were all written by Jews.
Irish music in the local pubs was my first exposure to musical expression, and I feel like Irish music is very close to musical theater because it is always telling a story.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
Christmas brings us great music: Everything from Handel's 'Messiah' to 'White Christmas,' to 'I Saw Mommy Kissing Santa Claus.'
In every interview I've got to explain something about being white but still being into hip hop. It's gone way beyond the musical aspect of the business. And I'm as critical about music as everybody else is.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
When I wanted to audition for a dinner-theater junior troupe in my hometown, I needed to have a piece of musical theater music to sing. I wasn't sure what I wanted to use. My mom and dad suggested that I sing 'Edelweiss' because I knew it from the music box.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
I knew I wanted to pursue a career in the theater the minute I graduated from college having not pursued it! So I went back to school and got a degree in music and began working in musical theater.
[Princess Margaret] was loud, an extrovert, an exhibitionist, loved fashion, loved color, loved music, loved drama, loved the theater, wanted to be a ballerina or actress, was always the little one putting on the school plays, and [princess] Elizabeth reluctantly did it and got stage fright.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
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