A Quote by Lance Bass

I definitely didn't want to be that person that came out and was like, 'O.K. I'm going to lead every parade.' — © Lance Bass
I definitely didn't want to be that person that came out and was like, 'O.K. I'm going to lead every parade.'
I definitely didn't want to be that person that came out and was like, 'O.K. I'm going to lead every parade.
I just got back from New York. You ever been there? There was a big gay parade going on there when I was there, and I never been to one of them, and I like a parade. I always like a parade. So, I go there, and it turns out, it's just a bunch of gay guys.
I tell you, if you're in the front row of the parade and you stop walking, pretty soon you're back in the tuba section. And if you want to lead the parade you've got to keep moving.
I came out when I was 17. I was in the church; I was crying every Sunday for about a year. I came to terms with the fact with this is who I was - I wasn't going to be able to be a different person. At 17, you feel like a freak already, and so to have that fire and brimstone against your attraction is just screwed up!
It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.
As you build your career, you know where you want to go. I'm definitely moving towards films. That's definitely a goal. I'm definitely going to put it out there.
When I was starting out, I saw it as something that was definitely going to end. Every time I came to New York for fashion week or to interview someone, I was so sad going back home because I thought, 'These things don't get to last.' That's sort of the narrative of young success.
I was definitely scared of fashion growing up just because I didn't want people to think I was gay. But now that I'm out, I feel like it's such a personal journey for me that I'm going on every single day where I feel more and more confident and comfortable to wear the clothes that I want to wear, and to have the interest that I have, and to paint my nails if I want to.
Even a two-car parade gets fouled up if you don't decide ahead of time who's going to lead.
I definitely felt the desire to, like - I definitely knew there was an elsewhere. I definitely knew that, like, if I were going to be free, I needed to be away from, kind of, like, Nashville and kind of get out of the South and get out of the country.
So when the book came out, my mother stunned us all by leaving my father. I think three months before the book came out, she left my father the day he retired from the Marine Corps. They had a parade and march, and she came home and left.
We all have the drum major instinct. We all want to be important, to surpass others, to achieve distinction, to lead the parade.
I have a feeling that I'll only have a home when I put a flag in my house with the person I'm going to be with. That's going to be my home. So I only see home in that sense. It's where love is going to lead me. It can be anywhere, basically, as long as you are with the person you want to be with, so you can build something together.
If you're watching a parade, don't follow it. It never changes. If the parade is boring, run in the opposite direction. You will fast-forward the parade.
You can't have whatever you want. But to a child who must ask permission for every single thing, adulthood looks like a constant parade of every desire's satisfaction. It is a heady and terrifying place. It is the Otherworld. It is Fairyland. In fantasy, we make this literal.
Every young person is going to be inspired to be a maker from now on. It's like how everyone used to want to be a musician, an actor, an athlete -- but a maker is what people are going to want to be.
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