A Quote by Lance Burton
I've worked nonstop for 31 years. I've counted down myself hundreds of cues for everything in each 90-minute show. I've never really taken an extended break, so I'd like to see what a vacation is really like.
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I think that a movie of a TV show is really tricky, and I don't know if it's ever really been done well. Because it's really hard if you have a 22-minute show, especially something like 'Party Down,' where it's all contained at the party.
That ‘hundreds and hundreds’ was taken totally out of context. When I was making a point to this person, I was making a point that over my 31 years in the National Football League I’ve seen a lot of changes. There were hundreds and hundreds of things over those years that I’ve seen that have gotten better. Domestic violence is one of those.
We work in this cave, and we speak to each other sort of subconsciously and with like, weird cues and tangential brother speak, but it really comes down to if you are the person who is moving amongst the actors and talking to people more, the other one can have a little more time to really watch.
I was always looking to be entertained. We lead such full lives and a lot of us don't lead very pleasant lives and don't like what we do... My dad worked his whole life as a salesman and that wasn't what he really wanted to do. He looked forward to two weeks vacation every year and he used to say to me, 'Whatever you do, make sure you do something you really like so you don't just have your vacation to look forward to.' And I love movies.
I love everything. I don't see myself doing a really serious drama in the next five to ten years. I don't feel mature enough for that yet. But I'd like to make a pure action movie one day or maybe I can do a comedy again. I do like everything. But I don't feel ready for a musical or something like that. That's not my thing yet.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
I'm really aging myself, but I grew up with 'Playhouse 90' and the plays on the air - 90 minute plays.
I can't emphasize more to you that I had the luxury, the privilege of living up here in Vancouver. I feel like I'm on vacation, and I get to work, as well. I don't think I need a vacation after working. I'd just like to really look with a positive outlook in being here in such a beautiful city. I really am feeling lucky on the days off that I have, that I'm here on vacation in Vancouver, British Columbia.
It means everything, definitely. I mean, it's Wimbledon. Tennis here is tennis history. Centre Court is always great to play on. I really feel like I'm at home. I was really up and down after my title here in 2011, but I still worked hard and believed in myself, and my team believed in me as well.
Our shows are just like that. The screaming is constant, nonstop, and there's not one minute of silence during the show. It's pretty intense.
Twenty-eight to 31 is the tough period. You have to be really careful because it's so cataclysmic, so life-altering. People do really dramatic things like get married, or they'll get divorced. Your chances of committing suicide go way up. It's basically psychic death. You see the signs of it around 27, and you're still on the out-end of it around 31. Everyone I've talked to who's gone through that and come out the other side walks out of it like, "MY LIFE IS GREAT".
You wouldn't know it, from some of the things I've said over the years, but I like people. I do. I like people, but I like them in short bursts. I don't like people for extended periods of time. I'm all right with them for a little while, but once you get up past around... a minute, minute and a half, I gotta get the fuck out of there.
Really, the idea of creating consistent quality of a show is complicated. It's not like making refrigerators. There's something very specific to each one of the shows, each episode of each show and that involves a really great team doing great work.
You can show up at Everest having never really climbed before, because it's like hiking, basically. You can't show up on Meru and start up the thing unless you have years and years of experience. Climbing and spending time on the mountains is really the only way you can train.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
I really can't describe what my stand-up is like - people see it and they say it's like that, or it's like this, and that's really up to them, that's fine, but I don't sit around all day analysing it. I just try and enjoy a show and interest myself because if I don't do that then I won't interest anybody else.
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