A Quote by Lance Henriksen
My whole childhood, that made my skin curl. I was looking for something authentic. I think that drove me into the arts, I really do. That really did it. The only other thing that made me survive, as a human being, was getting into the arts. I was surrounded by people that were very bright and they invited you in. They were gracious. So, it gave me a great education.
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When my parents realized that what I liked was fashion, they gave me good advice. I remember my father telling me that I should try to do an internship. They never said, "This is a world we don't know; it might be something strange," or "That is not serious," or things like that. They always said, "Try. We'll help you. We'll send drawings to people if you want. We'll write letters for you." What I'm very thankful for is they never made me think that something was impossible. They were really, really supportive. They are still.
The arts were a big part of my childhood. We went to the theatre and opera a lot as a family. We were not at all wealthy, but it was at a time when the arts were publicly funded and there were free tickets available. For someone like myself who wasn't that academically inclined, it was a great escape.
You know, I went to Oberlin. At that time, grades were - you elected to have them or not. It was all of that era where grades were out the window. But I did very well in school. I didn't really study the arts; I practiced the arts.
It drove me mad not being able to know more about Pink Floyd when I was a little kid. But that's the great thing - there was this mystery behind it, and we couldn't find out enough. It made your mind work, it made you seek after it or try to interpret it. It made you envision or imagine what they were doing.
People were nicer to me when I was in the arts. I experienced extreme racism in small-town New Zealand. Racism which really went away when I got into the arts.
Boston was a great city to grow up in, and it probably still is. We were surrounded by two very important elements: academia and the arts. I was surrounded by theater, music, dance, museums. And I learned how to sail on the Charles River. So I had a great childhood in Boston. It was wonderful.
Both of my parents were incredibly supportive of me being in any arts, because they were both in the arts. They weren't the typical story of, "Oh, get a real job. You need to make money." They basically said, "Yup, be an artist. You'll be broke your whole life but you'll be happy."
The peace, comfort, and hope God gave me made me feel like I really was walking in his light; those spiritual blessings were constant reminders that God really did love me. He loved me enough to tuck his Word in my heart so I'd have it when my eyes could no longer read it.
I'm really very glad that I had skating to be my love and my escape. I think that it always gave me something that made me feel good, and it was music, and it was peaceful, and not a lot of the other stresses of life.
I loved my soap days. I really loved them. A Martinez and Marcy Walker taught me how to act, basically. All those people pulled together and helped get me started. Like, showed me how to hit my mark, made me do this, made me do that. That was my first long-running professional gig. And it was like, they were just - great, great with me.
I had a very difficult childhood. I was surrounded by people who had both parents, which made me feel different. Having a bit of a rougher existence early on, it made me appreciate the work ethic that my grandparents instilled in me.
I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.
Martial arts in general were not made for a tournament, for points system. Martial arts were made to defend yourself in the street fight situation, not to score points.
My thing I liked was to challenge guys that were smaller, guys that were supposed to be quicker. Because I think self-consciously I was trying to prove to people it wasn't just my height that was getting me across in these various sports. It was some other intrinsic things that I had that made me a good athlete.
I spent my childhood watching every scary movie that Hollywood ever made. And I think that gave me the best education for storytelling. It also made me want to reproduce the scary moments that I felt, sitting in a theater at the age of 5.
There was a whole group that really welcomed me: George Mitchell was one, Ted Kennedy, Chris Dodd, the reformers were really delighted to see me. So if you were one of those squeaky clean, shiny bright, let's reform the world, you were very glad to see Barb Mikulski, and George Mitchell was in that category.
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