A Quote by Lance Henriksen
Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
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I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.
There is a sense in which I am pretty sure this makes no sense. I don't know where this is going. I don't know how it ends.
I think on this issue more than any other we're going to see sort of a bipartisan longing to get something done, and hopefully you're not going to find the fisticuffs that you would find on lots of other issues. I think you'll be able to glean a sense of progress without us revealing the specifics.
The government isn't going to say, "We're going to regulate banks, but we'll leave these other companies alone." I think the regulators want to make sure that they have some form of regulation on anything systemic. We like our hand. But, you know, honestly, who owns the future?
Even when we were under the Spanish flag, we had a movement that just wanted assimilation into Spain, a movement of autonomy - which has been the majority always - and a movement for separation. In that sense, Puerto Rico's political reality is very different from any place I know in the whole world.
I think that my parents' divorce gave me a very strong sense of self-reliance and independence. I realised that I needed to make sure I could support myself because you don't know what's going to happen in the future.
I sense the world might be more dreamlike, metaphorical, and poetic than we currently believe--but just as irrational as sympathetic magic when looked at in a typically scientific way. I wouldn't be surprised if poetry--poetry in the broadest sense, in the sense of a world filled with metaphor, rhyme, and recurring patterns, shapes, and designs--is how the world works. The world isn't logical, it's a song.
I think it was Samuel Johnson who said, "There are two kinds of information in this world: that what you know and that what you know where to get." The tools help the latter, and that's what keeps us from going nuts. The sense of overload comes from the gap between that sudden jump in volume (of information) and the tools we have to make sense of it.
I'm telling you this because I want you to know that I know something about you isn't right. You haven't fooled everybody. I'm going to find out what you're up to. I'm going to expose you." "Looking forward to it.
As far as me, I'm just looking forward to the future. There's a lot of people that look to the past. I've learned from the past, absolutely. I know my past absolutely. I'm not discrediting or... ignoring my past in any way, but my focus has always been moving forward, moving forward into the future.
When the going gets tough, I'm not always sure what you do. I'm not saying that I know how to fix everything when the going gets tough, but I do know this: when the going goes tough, you don't quit. And you don't fold up. And you don't go in the other direction.
I have two sons, ages 23 and 25, and know that parents need to listen more and speak less. Young people today don't always know what's going on or how they fit in, and if someone walks up to them and says, 'Hey, kid: If you listen to me I'll give you power and a sense of purpose,' it can hold tremendous appeal.
They always say 'Is there going to be a sequel to Bad Santa?' and you know, I mean, a long time ago they would talk about, you know, we're going to do a sequel to that but it was never serious. And they said 'Would you do it?' and I said out of all the movies I've done, that was a lot of fun, and maybe I would do a sequel if it ever came up and it made sense, but I said I don't think that's ever going to happen.
I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.
The question was, in a sense, at Princeton Review, how much value was I adding as a public company CEO. I was adding less than other people might've... I think you want to move on when you've given your best work and then feel that you're not going to add as much value moving forward.
I don't think that on a daily basis, people need to be so concerned with others think. When someone comes forward and is an individual, such as a Lady Gaga or a Katy Perry, people respond to them because there is that sense of innocence. It's obviously dress up and theatre. I never lost that I think part of that is growing up gay and part is growing up overweight. You never lose that, and I never want to lose touch with that whimsy, that sense of innocence. I also love the reaction it elicits in people. I like that it makes other people happy.
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