A Quote by Lance Ito

Whereas if you have a camera in the courtroom, there's no filtering. What you see is what's there. — © Lance Ito
Whereas if you have a camera in the courtroom, there's no filtering. What you see is what's there.
If you have a camera in the courtroom, there's no filtering. What you see is what's there.
The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases.
The day you see a camera come into our courtroom, it's going to roll over my dead body.
Filtering can be a very good thing when it comes to human relationships and familial harmony. Yeah, filtering is often an absolute necessity.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
There's something very satisfying about old cameras because they're ingenious. I mean when you take them apart and actually see, 'Oh, this is how we make photographs,' it's an ingenious thing, but it feels like it's in a way a layman can appreciate, whereas a digital camera, I don't even begin to know what goes into making a digital camera.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
Sea water is clear and you can put the camera in sea water and you can see stuff, whereas freshwater is often zero visibility.
The majority of my background is multi-camera format, which is very broad and a very arch perception of reality. Whereas single camera tends to be more truthful and a little more intimate of a medium.
It is said that the camera cannot lie, but rarely do we allow it to do anything else, since the camera sees what you point it at: the camera sees what you want it to see.
I grew up in a courtroom kind of like the one you saw in 'To Kill a Mockingbird' - big, big courtroom, sometimes it didn't even have air conditioning.
I was interested in getting courtroom experience. When I was a young lawyer, the only way I could get real courtroom experience was in the criminal law field.
Tracy and I were pretty good friends before '30 Rock.' The chemistry you see on camera - that's what it is. What you see on camera - that's just friends, so that's why it comes across so well on TV.
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
My McQueen particularly was hard to make, because my father was dying. I see it, and I see my confusion, my pain, my everything. I thought that it was really interesting to be able to put the people from behind the camera in front of the camera as they make it.
This site uses cookies to ensure you get the best experience. More info...
Got it!