A Quote by Lance Morrow

The television anchorman Dan Rather turns up in rag-top native drag in Afghanistan, the surrogate of our culture with his camera crew, intrepid as Sir Richard Burton sneaking into Mecca.
I grew up in the era when Dan Rather hated Richard Nixon. He was a newsman, but you knew what his opinion was.
Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.
Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.
Nobody's ever called me Sir Richard. Occasionally in America, I hear people saying Sir Richard and think there's some Shakespearean play taking place. But nowhere else anyway.
I've always done theater. I've never thought of myself as a comedic actress in any way. 'Anchorman' kind of cracked that open. When I got a small part in 'Anchorman,' I didn't know it was possible on camera to improvise. So I was like, 'What's happening?'
I've always done theater. I've never thought of myself as a comedic actress in any way. 'Anchorman' kind of cracked that open. When I got a small part in 'Anchorman,' I didn't know it was possible on camera to improvise. So I was like, 'What's happening?
Dan Rather pulling on a sweater and thereby winning a whole new chunk of the populace: That's television. President Reagan's press conferences: That's television. Keith Jackson is television. So are Kermit the Frog, instant replay, and the Fiesta Bowl.
Richard is a very sexy man. He's got that sort of jungle essence that one can sense." (on Richard Burton)
I was born in the same town as Richard Burton, the actor, and I saw him, he used to come - he and his wife drove by in the car in my father's shop and Burton would come home from Hollywood and ask him for his autograph, and I thought, I want to be like him. And that's all I said to myself, I want to be like that. I want to get out of this environment of my own empty mind.
I hung around with Jason Robards, Richard Harris, Robert Shaw, Richard Burton. I knew not to match them for drinks.
Twenty-four hour news delivers people who stand and talk to camera rather than deliver reported packages with their own camera crew where it's happening.
While working with a camera crew supervising flight testing of advanced aircraft at Edward's Air Force Base, California, the camera crew filmed the landing of a strange disc object that flew in over their heads and landed on a dry lake nearby. A camera crewman approached the saucer, it rose up above the area and flew off at a speed faster than any known aircraft.
With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
I have a real interest in working with younger Native artists. I think it's a very important way for Native people to communicate the realities of our culture and remember our ancestors.
People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?
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