A Quote by Lance Morrow
Over the years, he [Everett Dirksen] developed a style of infinitely subtle fustian, whose effect can still be remotely approximated by sipping twelve-year-old bourbon, straight, while reading Dickens aloud, in a sort of sepulchral purr.
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[On Senator Everett Dirksen:] His great enemy was boredom and he won every engagement.
Meaning can be usually be approximated, but often by sacrificing style. When I review my translations into Spanish, that's what I'm most concerned with, reading the sentences aloud in Spanish to make sure they sound the way I want them to. To be honest, I much prefer being translated into Greek or Japanese; in those cases, you have no way of being involved, and no pressure.
The honor of being able to play Maura is transformative. I'm 70 years old. I should be in a reading room, reading Dickens or something.
Whether you are a twelve-year-old princess or a twelve-year-old regular kid, you need to know you are loved and respected.
While the creative aspects of my filmmaking style are challenging in their own ways, I have developed such confidence and passion over the years that it has become much easier.
I'm not out there screaming that women are drinking bourbon, but I think it's a great beverage as an option. I've got nothing against drinking a Cosmo or Martini. It's not like one is judging the other. It's just delicious and slow and steady, and there's something about sipping a bourbon that to me is very relaxing.
Most bands have a two-year success rate. By the third year, it's sort of over. Here we are in Poison still together 26 years later.
I was twelve years old when I started reading 'Vogue.'
A period of about twelve years measured the beat of the pendulum. After the Declaration of Independence, twelve years had been needed to create an efficient Constitution; another twelve years of energy brought a reaction against the government then created; a third period of twelve years was ending in a sweep toward still greater energy; and already a child could calculate the result of a few more such returns.
I think we're realizing that gay people are able to do the type of comedy that we just assumed was for straight people over the years. Whatever old boundaries there were, which were very real and still have an effect on us, in the way we socialize, I think that's slowly becoming less important.
I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.
Of Dickens' style it is impossible to speak in praise. It is jerky, ungrammatical, and created by himself in defiance of rules... No young novelist should ever dare to imitate the style of Dickens.
We get stuck in old thought and behavior patterns that may have been effective when we were twelve months or twelve years old, but now only serve to hold us back. And, while those around us may have no problem correcting our minor flaws, they let the big ones slide, because it would mean attacking who we are.
My mother's family were full-on Irish Catholics - faith in an elaborate old fashioned, highly conservative and madly baroque style. I sort of fell out of the tribe over women's rights and social justice issues when I was just 13 years old.
I'm reading Barnaby Rudge, one of the less well-known Dickens novels. I've been a life-long lover of Charles Dickens ever since I think A Tale of Two Cities was the first Dickens novel I read.
But when I was twelve years old I caught my first strong glimpse of one of the fundamental forces of existence, whose votary I was destined to be for life - namely, Beauty.
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