A Quote by Lance Mountain

Skateboarding doesn't make you a skateboarder; not being able to stop skateboarding makes you a skateboarder. — © Lance Mountain
Skateboarding doesn't make you a skateboarder; not being able to stop skateboarding makes you a skateboarder.
I was a real skateboarder, not a gifted skateboarder. I represented that skateboarding was fun to do by being terrible at it.
When skateboarding hit, I wanted to be best skateboarder in the world, and I fought for it, there was nothing that was going to get in my way.
Skateboarding has always been and continues to be creative and rebellious. Art and design are an extremely important part of skateboard culture, even if it's not recognized by the more elitist or pretentious members of the art world. Skateboarding itself requires creative adaptation to the streets and obstacles. My background as a skateboarder helped me to be a better street artist because I was already conditioned to look at the terrain opportunistically.
All I wanted to do was ride skateboards - I wanted to be a professional skateboarder. But I had this problem. I kept breaking half of my body skateboarding.
I think that skateboarding can absolutely help make peace... I know skateboarding can bring people together. You can travel anywhere and if someone’s skateboarding, they like you regardless of where you’re from or what you do. You skateboard and that’s it.”
If being a skateboarder were a personality type and not actually an athletic activity, then I'd say I'm a skateboarder. But I don't ride one. I'm a bicycle person.
For me, skateboarding is a lifestyle. I really don't know anything different. My life revolves around skating. If I wasn't a professional skateboarder, I'd still be skating every day.
I'm one of the fortunate ones to be making a good living for myself off of being a professional skateboarder. But there's hundreds and hundreds of pro skateboarders out there that are professional and they are so good at what they do. But... there's just not that much money in skateboarding.
I grew up skateboarding; it was fun. I didn't think about money, I didn't know how much professional skateboarders made. I just knew that if I became a professional skateboarder, I would achieve a lot and get to travel and do these great things.
I wanted to be looked at for the skateboarder that I was. I didn't want to be the 36-year-old skateboarder who's still holding on while owning a company at the same time. I wanted to make my mark and travel and accomplish a few things here and there and then get out.
Growing up in Huntington Beach, you were either a traditional sports athlete, a skateboarder, or a surfer. I got my first skateboard when I was five and skated off and on over the years, did a little BMX racing as a kid, and then in my freshman or sophomore year I started getting a little bit more into skateboarding.
One of the interesting things about skateboarding and graffiti is that skateboarding exists in the documentation of an act.
There's definitely a lot of people out there in the industry who feel that skateboarding shouldn't be a competitive sport. Or be a sport in general at all. Those are the people who want to keep skateboarding at the core side of things. But me personally, I love seeing the sport of skateboarding grow in general. It's just going to naturally happen.
Skateboarding is as much, or more, an art of mode of expression than it is a sport. What skateboarding has given me is precisely that: a form of expression that drew me to it, and, in so doing, I was able to express and be who I wanted to be through it, in a sense.
DC and Monster have always supported my vision for street skateboarding, from building skate plazas throughout the world to now creating the first-ever professional skateboarding league.
Street League Skateboarding is the premier professional skateboarding league in the world, with the biggest prize money in history.
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