A Quote by Lance Reddick
When I went to drama school, I knew I was at least as talented as other students, but because I was a black man and I wasn't pretty, I knew I would have to work my butt off to be the best that I would be, and to be noticed.
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He was a professional rugby player in the area that I played as a youngster. So a lot of people who I went to school with knew who he was and knew that he was black. So I would get racist taunts in school.
The satisfaction comes because you work hard and it pays off. It is not as glamorous as I thought it would be, but, you know, I appreciate it more than I ever knew I would, and I love it more than I ever knew I would.
The truth is when I went to graduate school I would've said I was among the least talented of the students, I was certainly the least smart, or less educated. But I worked very hard.
I stayed away from mathematics not so much because I knew it would be hard work as because of the amount of time I knew it would take, hours spent in a field where I was not a natural.
I was lucky I went to school in London because the tutors could see what to do. I knew I wanted to do something different. Why would I want to do what other people were already doing, because they would always do it better? I always wanted to work around the body. So throughout my college years, my work was quite free.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
I can remember being at Gillingham playing in the fourth division ringing up other people I knew at clubs to see what team they would play, if they had injuries. Or you would ring a press man you knew in that area.
When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
I certainly knew of 'World of Warcraft'; I had never actually played because I knew that if I started playing, I would never get any work done - because it would just totally absorb me.
I knew these false attacks would come. I knew this day would arrive, it's only a question of when. And I knew the American people would rise above it and vote for the future they deserve.
I knew Tim Pastoor. I knew Sherry Ford. I knew many of the individuals who would follow me around. I knew who they were. I knew they had access to my email.
If you knew that only a few would care that you came, would you still come? If you knew that those you loved would laugh in your face, would you still care? If you knew that the tongues you made would mock you, the mouths you made would spit at you, the hands you made would crucify you, would you still make them? Christ did.
People also knew me for putting people up to hip-hop, so people knew I was heavy into hip-hop. But as for cyphers and stuff in high school, I would never get on it because I was too shy. That's pretty much what I was doing.
10 years ago the black man knew what his condition was. And today, because of the world revolution that's taking place all over this earth, the black man would be fighting for what he knows is his by right, but the movement on the part of [Martin Luther] King and the others had done nothing but slow down the militancy that is inherent in the nature of the black man.
I feel that if I had not had an art program in my school, I would have failed in a big way. My teachers knew I was intelligent, but they didn't quite know how I was ever going to apply that intelligence. The one or two teachers who knew me well knew that it would be through drawing or acting or whatever means of expression I was allowed.
I went to Wellesley College, and it was really hard for me to get a job after I graduated. I would go into places where I would not see any black people at all in Boston - like, zero. And then in publishing in New York City, it was pretty much the same. I knew that it wasn't about the value of my work.
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