A Quote by Lance Reddick

Nothing will ever top 'The Wire.' It was historical. It was black cinema. — © Lance Reddick
Nothing will ever top 'The Wire.' It was historical. It was black cinema.
Life is horrible, but it is not relentlessly black from wire to wire. You can sit down and hear a Mozart symphony, or you can watch the Marx Brothers, and this will give you a pleasant escape for a while. And that is about the best that you can do.
The main difference I'd say is that European cinema has always used less music than American cinema for historical reasons.
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
I have a very simple mantra and it's this: I want to make black cinema with the power, beauty, and alienation of black music. That's my big goal. The larger preoccupation is how do we force cinema to respond to the existential, political, and spiritual dimensions of who we are as a people.
'Black cinema' I don't even know what that means. It's just cinema. When Paul Thomas Anderson makes a movie, we don't just say it's 'white cinema.'
We wanted to not necessarily tell the story of the video or the song, but create an ambience. And I think now, I think that's gone now. There's nothing wrong with that. But I think we were all trying to make mini feature films. I remember when we were making the Duran videos, I would crop the top and bottom of the screen with black. So that it looked more like cinema.
My composition often goes toward the black middle class or the black super-wealthy or strong historical black figures.
I have won many trophies in my time, but nothing will ever top helping win the battle for peace in my country.
To me, not every black filmmaker who is making black films is trying to make black cinema.
You know that if you [Hillary Clinton] did win, you would approve that [Trans-Pacific Partnership], and that will be almost as bad as NAFTA. Nothing will ever top NAFTA.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
STRAUSS:Have you ever thought about putting those experiences into a book? RICHIE:I did decide to write about what i experienced in climbing to the top. And finally when I got there, I discovered what was at the top.You know what was there? STRAUSS: No, I don't. RICHIE: Nothing. Not one thing. What was at the top was all the experiences that you had to get there.
I'm a sponge for historical images of black people and black history on film.
Nothing genuinely historical was ever lost in this country. For this reason we have two ruling parties: villains and fools.
This site uses cookies to ensure you get the best experience. More info...
Got it!