A Quote by Lando Norris

I'm an all-or-nothing kind of guy, I guess. — © Lando Norris
I'm an all-or-nothing kind of guy, I guess.

Quote Topics

I guess it kind of stemmed from my father. He was a union guy working for the meat plant down in Kansas City. He was a union guy, and I guess it was just in my blood.
I guess there's nothing funny about a guy who looks conservative and has it all together, but it's satisfying to see a conservative guy crumbling inside, and I think a lot of American comedy has cottoned on to that.
I guess I've kind of recognized what my worth is and what my specific brand of humor is. And that's not necessarily being the guy who's super witty and saying a joke every second. I'm the guy who you throw in a bizarre scenario, and I'll play it as real as possible.
I never was a sick like throwing up type of guy. I get nervous with the butterflies in the stomach. I was never a throwing up kind of guy... I'm kind of a pacer. I can't sit down. I can't sit still. I guess that's why I don't ever sit down the whole game.
I guess I kind of have been known as the guy that shakes up girl groups.
What I remember from [the first meeting with Samuel L. Jackson] was that he was a friendly, animated kind of guy. His screen image is a hard boiled intimidating kind of character. That's what I remembered thinking, 'Boy, this guy seems like a normal guy.'
It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.
I'm kind of an all-or-nothing kind of guy.
What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
I guess I've always had such an identity crisis when it comes to other people's understanding of me. I don't feel it in myself but from an outsider's point of view, I can see they must be thinking, "Who the hell does this guy think he is?" But recently I've been thinking, okay, a white guy can't sing soul, but would a black person be made exempt from singing opera because it's not a tradition that belongs to them? It's the same kind of argument.
I'm the kind of guy that says nothing is impossible when you work hard.
I'm not the kind of guy who wants to basically collect money and do nothing.
The first piece of art that I ever bought - when I could afford it - was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
The first piece of art that I ever bought-when I could afford it-was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.
Patch wasn't the kind of guy mothers smiled on. He was the kind of guy they changed the house locks for.
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