A Quote by Lane Garrison

I have much to say about the pain I've felt and seen inside of prison. It has been an eye-opening and harrowing experience. — © Lane Garrison
I have much to say about the pain I've felt and seen inside of prison. It has been an eye-opening and harrowing experience.
During the fight you really don't feel much; you've got so much adrenaline going. Luckily I've mostly been on the winning side, so I haven't felt much pain inside the octagon.
Coming to Harvard was an eye-opening experience because there's so much diversity on campus.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
For me, Glasgow is all about the people and the spirit of the place. You have enough Gregg's bakers, though, I'll say that. The opening of the 1977 'Star Wars' movie was possibly the only time I've seen a longer queue round the block than in Glasgow for sausage rolls. That was quite an eye-opener.
I'm doing stand-up comedy. I'm working on a one-woman show about how I don't like my baby. There is a period of time where a baby is born where the next 3 months is harrowing. A lot of people say it's the most wonderful time, but for me it was harrowing.
The mystics always say that the experience they're talking about is ineffable, that you can't say it. Rumi was asked one time why he talked so much about silence. He said, "The radiant one inside me has never said a word."
For me, Glasgow is all about the people and the spirit of the place. You have enough Greggs bakers, though, Ill say that. The opening of the 1977 Star Wars movie was possibly the only time Ive seen a longer queue round the block than in Glasgow for sausage rolls. That was quite an eye-opener.
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
I've been doing a lot of work on female rights, especially adolescent rights. I've been to a lot of schools where the UNICEF had set up villages in India, and it's an eye-opening experience.
My personal story is that my father was a heroin addict and a heroin dealer and has been in and out of prison my entire life, he's been arrested sixty times. I also have an older brother addicted to crack cocaine who's been in and out of prison so it was really important for me to tell a story that shows the humanity and the journey of a man getting of our prison and trying to re-acclimate into society. It's apart of our community that we have stereotypes and ideas about but we don't actually know much about it, unless we know someone personally.
Even then, it hurt. The pain was always there, pulling me inside of myself, demanding to be felt. It always felt like I was waking up from the pain when something in the world outside of me suddenly required my comment or attention.
Pain has been part of my life. I don't complain about much. When you grow up with six boys, you can't show your pain, and if you do, they'll give you another piece of pain.
The one experience that I hope every student has at some point in their lives is to have some belief you profoundly, deeply hold, proved to be wrong because that is the most eye-opening experience you can have, and as a scientist, to me, is the most exciting experience I can ever have.
It was very hard for me to come back to a place of feeling normal about food and about my body. And then, when I came to the other side of it, it felt like something was gone. An exorcism. I still experience the same chemical swings and moods and pain, but I'm much better at dealing with it than I was at 18.
A certain something, he felt, had managed to work its way in through a tiny opening and was trying to fill a blank space inside him. The void was not one that she had made. It had always been there inside him. She had merely managed to shine a special light on it.
To try to raise a son from inside the prison walls is a very difficult thing. But I want to say to the world my son at 16 was the one who tried the most to get me out of prison.
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