A Quote by Lane Kiffin

People always say, 'Do you get bothered by what people say or blog or write about you?' I only do if I know them. If I know them, and I have a relationship with them and they write that, then that would surprise me a lot. Usually the people writing the negative stuff don't know me at all.
I write for myself, and perhaps for half a dozen friends. And that should be enough. And that might improve the quality of my writing. But if I were writing for thousands of people, then I would write what might please them. And as I know nothing about them, and maybe I'd have a rather low opinion of them, I don't think that would do any good to my work.
The most common thing I find is very brilliant, acute, young people who want to become writers but they are not writing. You know, they really badly want to write a book but they are not writing it. The only advice I can give them is to just write it, get to the end of it. And, you know, if it's not good enough, write another one.
You'd only write what you know and what you know is what you do and the people you know. So you'd write about them or the people you have met casually. It's part of your life.
There are a lot of things that American fans don't know about me yet! I would say they don't know me at all, but I guess that's great because now I have the chance to surprise them and make friends.
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
I'm a huge fan of writing for people rather than writing and then trying to wedge people in. I'd love to know who the people are before I can write for them. For me, it's a much more organic way to create characters.
I'm not so sure that I can teach people how to, you know, write dialogue or create plot or anything like that. But if I can get them and grab them by the scruff of the neck and say, you can do this, and if I see that fire in their eyes, that's when I think I know a writer.
I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
Blogging has mostly been an opportunity to react more immediately to experiences to try out ideas that I may end up using in the print media or in some other place. When I write books, it's a way for me to bring readers into the experience of writing the book, all through the process of writing the books that I write. I talk about what I'm up to in the blog. I let people know what I am doing. To me, it's just part of putting my professional life up in a way that people who are interested in it can access; and learning things from them as well.
The people who truly know me know what I'm like. There have been people who try to say things that aren't fair, and I check them. And then they don't like me because I checked them.
Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.
People write to me and say, 'I'm giving up, you're not talking to me.' I just write them a simple message like, 'Never give up,' you know? And it changes their life.
I know a lot of people don't listen to music when they're writing because it distracts them, but for me it's almost a way to get into the self-hypnotic state that I need to be in to write.
A lot of times students will come up to me and say, "Well, I can't write because I don't know what I think about such-and-such." And I say, "That's why you have to write." You don't wait until you know, because then who cares - it's static.
People are starting to think about let's let a lot of people come in from Syria, even though we know nothing about them, who they are, et cetera, et cetera. But they do have cellphones. And they do have ISIS flags on some of those cellphones. And you say, what are we doing? I don't know if you know but a lot of the cellphones had the ISIS flag on them. And we let them into our country.
I start out to write five days a week, and then it runs to six days and finally seven. Then, eventually, that wave of weariness overwhelms me and I don't know what's the matter. That is, I know but I won't admit it. I'm just tired from writing. As you get older, writing becomes harder. By that I mean you see so many more potentialities. Things like transition used to trouble me. But not any more. When I say it's harder, I'm not talking about facility. You learn all the so-called tricks, but then you don't want to use them.
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