A Quote by Lane Kiffin

If something comes on the radio or in print, I don't think there are any facts to it at all until someone shows some proof. — © Lane Kiffin
If something comes on the radio or in print, I don't think there are any facts to it at all until someone shows some proof.
I don't think CNN is 'fake news.' I think there are some reports everywhere, in print, on TV, on radio, in conversation, that are not well-researched and are sometimes based on falsehoods.
The older I get, the more I think it's this listening. You listen for it, and you have a bit of patience. And it'll come until it sounds - to me, the best songs I've written, I think, are ones that I can't hear anything - any of myself in it. It sounds like a cover song, like somebody else's song - really something you've stolen wholesale off a radio that you've listened to in someone else's flat.
One can never really give a proof of the reality of anything; reality is not something open to proof, it is something established. It is established just because proof is not enough. It is this characteristic of language, at once indispensable and inadequate, which shows the reality of the external world. Most people hardly ever realize this, because it is rare that the very same man thinks and puts his thought into action.
Even if you've written something for print, I think it's good to try [it] out on someone because it changes. You can think it's hilarious and they can tell you it's not.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
We don't even realize something is broken until someone else shows us a better way
Facts are constituted by older ideologies, and a clash between facts and theories may be proof of progress.
I think the stuff that plays on the radio, the majority of it is for teenagers, which is okay. That's what pop radio is about. And some of it is great, and some of it is not.
I think what you have to do in print is to create even more memorable images and more memorable pieces because what one consumes online or in social has a much shorter shelf life, so to speak, so what print has to have is no more weight, but it has to be something that you can't find so easily online. It has to really stand for print.
I am obliged to interpolate some remarks on a very difficult subject: proof and its importance in mathematics. All physicists, and a good many quite respectable mathematicians, are contemptuous about proof. I have heard Professor Eddington, for example, maintain that proof, as pure mathematicians understand it, is really quite uninteresting and unimportant, and that no one who is really certain that he has found something good should waste his time looking for proof.
I don't think there's any shortage of tough, sometimes vicious rhetoric about President Barack Obama coming from the right. Talk radio shows dominated by conservatives.
No theory ever agrees with all the facts in its domain, yet it is not always the theory that is to blame. Facts are constituted by older ideologies, and a clash between facts and theories may be proof of progress. It is also a first step in our attempt to find the principles implicit in familiar observational notions.
Facts are neutral until human beings add their own meaning to those facts. People make their decisions based on what the facts mean to them, not on the facts themselves. The meaning they add to facts depends on their current story … facts are not terribly useful to influencing others. People don’t need new facts—they need a new story.
Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
I was one of the first print models to go on the runway because I wanted to do runway. When I started doing the shows, I was the only print girl there.
I think it's my job or the artist's job, to try and find some solution or some reason to accept things. But given the grimmest reality, I feel the grimmest facts are the real facts, the true facts: that you're born, you die, you suffer, it's to no purpose, and you're gone forever, ever, ever, and that's it.
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