A Quote by Lanford Wilson
Nobody's safe around a writer.
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You can't pretend there has ever been anyone come close to doing what I did. Nobody you could name could touch me, and I'm talking about nobody who's around now, nobody who was around in my prime, and nobody who was around any time you can mention outta your mouth.
Everyone wants to be safe. Well, I got news for you: You can't be safe. Life's not safe. Your work isn't safe. When you leave the house, it isn't safe. The air you breathe isn't going to be safe, not for very long. That's why you have to enjoy the moment.
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
Many of the genetically modified foods will be safe, I'm sure. Will most of them be safe? Nobody knows.
Fooling around with alternating currents is just a waste of time. Nobody will use it, ever. It's too dangerous . . . it could kill a man as quick as a bolt of lightning. Direct current is safe.
The writer is a definite human phenomenon. He is almost a type - as pugilists are a type. He may be a bad writer - an insipid one or a clumsy one - but there is a bug in him that keeps spinning yarns; and that bulges his brow a bit, narrows his jaws, weakens his eyes and gives him girl children instead of boys. Nobody but a writer can write. People who hang around writers for years - as producers did - who are much smarter and have much better taste, never learn to write.
An original writer is not one who imitates nobody, but one whom nobody can imitate.
If you really want to be a writer, nobody can stop you -- and if you don't, nobody can help you.
Nobody becomes a writer overnight. Well, I'm sure somebody did, but that person's head probably went all asplodey from paroxysms of joy, fear, paranoia, guilt and uncertainty. Celebrities can be born overnight. Writer's can't. Writers are made - forged, really, in a kiln of their own madness and insecurities - over the course of many, many moons. The writer you are when you begin is not the same writer you become.
Safe sex, safe music, safe clothing, safe hair spray, safe ozone layer. Too late! Everything that's been achieved in the history of mankind has been achieved by not being safe.
If a writer writes poems and short stories and novels, but nobody ever reads them, is she really a writer?
It is a dangerous time to be a black woman in America. It’s a time when we are not safe in the streets or at home or at school or at work and nobody seems to be able to do anything about it. Nobody. Not us. Not our mommas. Not the police. Not the people we elected to look out for our interests. Nobody. We’re just out here. (p.53)
We fall into the old stuff of textuality, and almost everything becomes safe because nobody wants to talk about what is not safe in poetry. We fall back on the psychologic, the ethnic, the quota, and serve the perpetuation of the machine.
People had been working for so many years to make the world a safe, organized place. Nobody realized how boring it would become. With the whole world property-lined and speed-limited and zoned and taxed and regulated, with everyone tested and registered and adressed and recorded. Nobody had left much room for adventure, except maybe the kind you could buy. [...] The laws that keep us safe, these same laws condemn us to boredom.
If you're my woman, you're somebody I give emotions to that I don't give to nobody else. You're my safe space. I don't want my safe space to be compromised.
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