A Quote by Langhorne Slim

Before I had a record deal, I was living in New York and playing anywhere I could, from somebody's house to an open mic to coffeeshops. — © Langhorne Slim
Before I had a record deal, I was living in New York and playing anywhere I could, from somebody's house to an open mic to coffeeshops.
When I was in New York, I was making a living. We had a summer house and a car that I could put in a garage. That's something for a stage actor.
If I could be living anywhere now, it would be in New York. My heart is in that city.
I went to New York in 1974, to either try to get a record deal, get into the New York Art Student League, or be a dancer. So that was my plan. Some plan. And I had no money.
The 60s passed and faded and I grew older, and in 1987 bought a house in upstate New York, and it turned out that John Brown was buried down the road from my house and that he had lived there longer than anywhere else and his house was still standing.
I advise wannabe singers to form a band, practise in your garage if you have to, but do as many charity or open mic shows as possible to get experience. I sang for seven years before getting a record deal, and I was already loving what I was doing. I just got lucky and got discovered.
The acting training in school was great, but it was mostly fun being young and in New York. Because my upbringing was so transient, New York ended up being my home. I've been living in New York longer than I have anywhere else in my life.
I always had this romantic notion of living in New York. I just felt like, everyone could be different and weird and whatever they are in New York.
New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.
I had very modest expectations when I first moved to New York. I didn't even expect to get a record deal.
Living in New York, no big deal. I am loving New York - there is something about the energy.
Well we didn't look at it like that. We looked at it: "Why Carolyn Maloney?" Of course, we didn't know about Caroline Kennedy, but we do know and have - this is not against somebody, this is for somebody who we know has had a proven record. It's 16 years in the House, 10 years on the City Council of New York City, that she has shown her determination to pass legislation. She is - she knows how a legislature works.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move.
The thing about New York is you can leave your house without a plan and find the day. You can't do that in Los Angeles. You need to get in your car, all this, you can't just drive around like a lunatic. In New York, you can literally walk outside, and wind up anywhere.
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