A Quote by Langston Hughes
Money and art are far apart.
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I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
When we even use the term 'specialized world,' we already have a problem! We're making art; they are making art... these worlds are not far apart from each other. For instance, pieces of art that hang on a wall can be seen in museums or can be used in a variety of commercial ways. That art is everywhere, so the message is that it's a part of everyday life.
The art of cartooning is vulgarity. The only reason for cartooning to exist is to be on the edge. If you only take apart what they allow you to take apart, you're Disney. Cartooning is a low-class, for-the-public art, just like graffiti art and rap music. Vulgar but believable, that's the line I kept walking.
We live in constant danger of coming apart. The mystery of why we do not always come apart is the animating tension of all art.
But I know this. We're ready to move forward again in our way. Together or apart, no matter how far apart, we live in one another. We go on together.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
I count my time by times that I meet thee;
These are my yesterdays, my morrows, noons,
And nights, these are my old moons and my new moons.
Slow fly the hours, fast the hours flee,
If thou art far from or art near to me:
If thou art far, the bird's tunes are no tunes;
If thou art near, the wintry days are Junes.
I find that it's a very odd thing to think of competition when you're talking about what I still think of as art. I don't think of competing with actors or filmmakers at all. You do compete, in a way, at the box office, but we're far enough apart when both films are coming out that I'm not concerned with that either.
As far as art's concerned, I probably like modern art more than traditional art.
What the welfare system and other kinds of governmental programs are doing is paying people to fail. In so far as they fail, they receive the money; in so far as they succeed, even to a
moderate extent, the money is taken away.
The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart and democracy itself cannot function without the essential exchange of information. Creative leaks, a discreet lunch, interchange in the Lobby, the art of the unattributable telephone call, late at night.
You cannot create a piece of art merely for money. Doing it as part of commerce so denudes art of wonder that it ceases to be art.
Making money is art and working is art and good business is the best art.
I'm a writer who doesn't much think about money because money doesn't really care about me. In other nations, art gets subsidized. Writers aren't wealthy by any means, but there's the idea that the state supports the creation of art.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
O supreme and unapproachable light! O whole and blessed truth, how far art thou from me, who am so near to thee! How far removed art thou from my vision, though I am so near to thine! Everywhere thou art wholly present, and I see thee not. In thee I move, and in thee I have my being; and I cannot come to thee. Thou art within me, and about me, and I feel thee not.
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