A Quote by Langston Hughes

For poems are like rainbows; they escape you quickly. — © Langston Hughes
For poems are like rainbows; they escape you quickly.
People who postpone happiness are like children who try chasing rainbows in an effort to find the pot of gold at the rainbows end...Your life will never be fulfilled until you are happy here and now.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
But give thanks, at least, that you still have Frost's poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!
We will continue to chase rainbows unless we recognize that they are rainbows and there is no pot of gold at the end of them
I draw rainbows whenever I see them, with my black ink pen. When I have collected enough, I thought I might make a book called Black-and-White Rainbows.
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
I am a relatively rational being and I like to create order in poems. I like meter, I like rhyme, but ultimately I don't know where the poems come from, and I feel, at least in the beginning, that I'm taking dictation from my own dream that I don't remember.
At the end of the day, despite all the other great things that literature does in society and in a person's life, I think that we read to escape. And I think that place, more than anything, provides that escape quickly, if an author is engaged with the place.
I never feel the need to go out and make some grand statement that I'm dark and twisty and complicated, because I'm not that either. It's just not as simple as ponies and rainbows, though I do love ponies and rainbows.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
Leo: Rainbows. Very macho. Annabeth: Butch is our best equestrian, he gets along great with the pegasi. Leo: Rainbows, ponies... Butch: I'm gonna toss you off this chariot.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.
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