A Quote by Langston Hughes
Melting pot Harlem-Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall. Dusky dream Harlem rumbling into a nightmare tunnel where the subway from the Bronx keeps right on downtown.
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Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place. A lot of them are from the south, so they bring those southern influences with them.
I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library.
Harlem was a development, a developer's dream and a place where residents had more space and more amenities than ever before. The subway reached 145th street about 1904, and it seemed that Harlem's destiny was to become largely a preserve of successful ethnics relocating and arriving. Then, overnight, the bust took place.
Harlem is really a melting pot for a lot of different people.
Sara Blair's Harlem Crossroads is an important addition to the body of literature that currently exists about Harlem. It brilliantly illuminates the complex relationship between photographic representation and race, and adds new insight into the ways in which this one black community has figured in both the critical and public imaginations. Harlem Crossroads is a tour de force.
Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.'
I don't know who I would be if I weren't this child from Harlem, this woman from Harlem. It's in me so deep.
As long as black people preserve their culture in Harlem, Harlem will always be alive.
For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.
'Harlem: The Unmaking of a Ghetto' is a surprise and a fresh way of looking at Harlem, connecting the black district with the architecture of its historical past.
People are too afraid of uptown. A lot of people will tell you, like, "Don't go to Harlem. You can never go there. 'Cause as soon as you get there, they kill you." That's what people think. As soon as you arrive in Harlem, someone just stabs you in the face right away. That's people's image of Harlem: just everyone standing around waiting for lost white people to kill all day. "Did you see any? I didn't either."
Many people in Harlem never go out of Harlem. I mean they'd never even been downtown. And you can see how this bitterness can accumulate. Here you see people crowded and hovered up in ghettos and slums with no hope.They see no way out.
My peers at the time: you know, young black kids from off the streets of Harlem, having these conversations with me in my small, dirty little studio up in Harlem.
I got a job as a children's librarian at PS 175 in Harlem, and that changed everything. That was an epiphany. I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles.
With 'Dope Walk,' I wanted to bring back kids dancing and having fun again. That's how it used to be in Harlem. I remember everybody Harlem-shaking and 'Chicken Noodle Soup'-ing. Those were some of the most fun and memorable times in my life.
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