A Quote by Laozi
All streams flow to the sea because it is lower than they are. Humility gives it its power. If you want to govern the people, you must place yourself below them. If you want to lead the people, you must learn how to follow them. The Master is above the people, and no one feels oppressed. She goes ahead of the people, and no one feels manipulated. The whole world is grateful to her. Because she competes with no one, no one can compete with her.
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Why is the sea king of a hundred streams? Because it lies below them... If the sage would guide the people, he must serve with humility. If he would lead them, he must follow behind. In this way when the sage rules, the people will not feel oppressed.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
All streams flow to the sea because it is lower than they are. Humility gives it its power.
She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.
If the sage wants to stand above people, he must speak to them from below. If he wants to lead people, he must follow them from behind.
I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.
I ask to become a faery because I love a faery queen, and because she deserves to have someone who loves her for who she is, not what she is. She needs me. There are people-good people-I love and I'm a liability to them because I'm a mortal. I'm fragile. I'm fine. I am in this world. People I care about, the woman I love, friends in all three of the courts This is where I belong. I just need you to give me what it takes to stay with them and be strong enough not to fail them.
The Master has no mind of her own. She works with the mind of the people. She is good to people who are good. She is also good to people who aren't good. This is true goodness. She trusts people who are trustworthy. She also trusts people who aren't trustworthy. This is true trust. The Master's mind is like space. People don't understand her. They look to her and wait. She treats them like her own children.
Woman must come of age by herself. This is the essence of 'coming of age'-to learn how to stand alone. She must learn not to depend on another, nor to feel she must prove her strength by competing with another. In the past, she has swung between these two opposite poles of dependence and competition, of Victorianism and Feminism. Both extremes throw her off balance; neither is the center, the true center of being a whole woman. She must find her true center alone. She must become whole.
People like her because she's like a breath of fresh air. Because in the fifth book it gets so dark and Harry's always cross and then every time Luna comes in all the tension goes and she makes you laugh because she's so funny and really honest. I don't know how much I'm like her, there are some similarities but I'm more determined than her.
One of my daughters wants to act, but none of them sing - well, one of them sings but she's got some ways to go. I love her acting. I'm actually trying to put her in some classes and everything so she can learn the art of acting. I don't want her to get no parts because her dad is Ginuwine. I want her to earn it.
I want to tell her that I can't pull her down. I want to tell her that she has to let go of my hand in order to swim. I want to tell her that she must live her own life. But I sense she already knows that these options are open to her. And that she, too, has made her choice.
It is better to be alone, she figures, than to be with someone who can't see who you are. It is better to lead than to follow. It is better to speak up than stay silent. It is better to open doors than to shut them on people. She will not be simple and sweet. She will not be what people tell her to be. That Bunny Rabbit is dead.
One day I'll give birth to a tiny baby girl and when she's born she'll scream and I'll tell her to never stop I will kiss her before I lay her down at night and will tell her a story so she knows how it is and how it must be for her to survive I'll tell her to set things on fire and keep them burning I'll teach her that fire will not consume her that she must use it
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
I value in the cat the independent and almost ungrateful spirit which prevents her from attaching herself to any one, the indifference with which she passes from the salon to the housetop. When we caress her, she stretches herself and arches her back responsively; but this is because she feels an agreeable sensation, not because she takes a silly satisfaction, like the dog, in faithfully loving a thankless master. The cat lives alone, has no need of society, obeys only when she pleases, pretends to sleep that she may see more clearly, and scratches everything on which she can lay her paw.
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