To produce things and to rear them,
To produce, but not to take possession of them,
To act, but not to rely on one's own ability,
To lead them, but not to master them -
This is called profound and secret virtue.
I feel so entirely in my element with a full orchestra; even if my mortal enemies were marshalled before me, I could lead them, master them, surround them, or repulse them.
When people are motivated by principles larger than themselves, you don't have to beat them over the head to get them to act. You simply empower them, you inform them, you give them tools, and they take it upon themselves to act.
A man who gives himself to be a possession of aliens leads a Yahoo life, having bartered his soul to a brute-master. He is not of them. He may stand against them, persuade himself of a mission, batter and twist them into something which they, of their own accord, would not have been.
My oldest step-son wants to direct or produce. As far as being an actor, I've already told them they have to wait until they're 18; I won't take them to auditions.
We buy things. We wear them or put them on our walls, or sit on them, but anyone who wants to can take them away from us. Or break them.
...
Long after he's dead, someone else will own those stupid little boxes, and then someone after him, just as someone owned them before he did. But no one ever thinks of that: objects survive us and go on living. It's stupid to believe we own them. And it's sinful for them to be so important.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
There are men so incorrigibly lazy that no inducement that you can offer will tempt them to work; so eaten up by vice that virtue is abhorrent to them, and so inveterably dishonest that theft is to them a master passion.
In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself.
What is the world full of? It is full of things that arise, persist, and cease. Grasp and cling to them, and they produce suffering. Don't grasp and cling to them, and they do not produce suffering.
Most of the time a spark of beauty or truth will start a fire of a song but fires rarely produce goodness on their own ... you need to control them and put them to work.
One of the things that I learned in television, and one of the beauties of television, is that, if you have a strong writing staff, they rely on you just as much as you rely on them. They look to me or the other actors to help inspire them to take the character in interesting directions.
If you start free trade with a Communist country, allow them to develop their own businesses, they don't remain communistic. They become a free society when they're able to make money themselves, and we increase trade with them and allow them to really produce products.
Our South Australian farmers left their holdings in the hands of their wives and children too young to take with them, but almost all of them returned to grow grain and produce to send to Victoria.
It is essential to rear a generation at the very top of society that has all the qualities needed to lead and give the people the inspiration and the drive to make it succeed. In short, the elite.. Every society tries to produce this type. The British have special schools for them: the gifted and talented are sent to Eton and Harrow.
I think the most important challenge that remains is this mentality in Washington that sanctions have been an asset, and some people want to find even an excuse to keep them or an excuse to reintroduce them. I don't know whether they've looked at the record of how sanctions actually produce exactly the opposite of what they wanted to produce.
If you write, produce and direct, you own things and see them through to the end.