A Quote by Laozi

Where there is no conflict, there is no fault. — © Laozi
Where there is no conflict, there is no fault.

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And oftentimes excusing of a fault Doth make the fault the worse by the excuse, As patches set upon a little breach, Discredit more in hiding of the fault Than did the fault before it was so patch'd.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
You must speak the vision of your project in a way that convinces people to pay for it. If they won't pay for it, that is the artist's fault. It is my fault. It is your fault. It is not the executive's fault or the world's.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.
Is there any conflict between science and religion? There is no conflict in the mind of God, but often there is conflict in the minds of men.
Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.
Since [narcissists] deep down, feel themselves to be faultless, it is inevitable that when they are in conflict with the world they will invariably perceive the conflict as the world's fault. Since they must deny their own badness, they must perceive others as bad. They project their own evil onto the world. They never think of themselves as evil, on the other hand, they consequently see much evil in others.
There are a lot of people who can't find housing, who worry about the future, and that insecurity and precarity in their own lives is being exploited by some politicians who are using it to divide us by saying, 'hey it's the fault of new Canadians, it's the fault of refugees, it's the fault of Muslims.'
When a novelist or screenwriter is looking for a subject, the element he's seeking is conflict. Conflict makes drama. Conflict produces great characters and memorable scenes. So war is a natural topic.
Ever since I got married I've been thinking night and day about whose fault it was, and every time I think about it, out comes a new fault to eat up the old one; but always there's a fault left.
The greatest rules of dramatic writing are conflict, conflict, conflict.
On recent events in a New York hotel room: What happened was not just inappropriate, it was more than that, it was a fault; a fault toward my wife, my children, my friends but also a fault toward the French people who placed in me their hope for change.
I see conflict. But the conflict is what makes it relatable. I'm conflicted; you're conflicted. I'm not perfect - nobody is. I'm just blessed to be able to express my conflict through song.
Conflict is entertaining and it's the stuff of drama - or comedy - but too much conflict, or conflict that's at too high a pitch can get annoying.
The roles I'm interested in or have been interested in, you know, it's going to get down to conflict. Drama is conflict - conflict of interests.
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