A Quote by Lapsley
So many people have gone to music production schools for years and years, and they've wanted this their whole entire life, and part of me feels like I've kind of cheated that a bit because I'm not grade A on piano, and I don't know a lot about production. But I do what I do.
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Directing takes a lot longer than acting. This was about seven years in development, and then two and a half years with pre-production, production, post and now the release. Not that I have people banging on my door to star in movies, but it takes me out of the acting game for a longer chunk of time.
When I was about ten years old, I was brought to London to watch a production of 'The Lion, The Witch, and the Wardrobe.' I think it was at Sadler's Wells in maybe 2000. I watched it because my school was putting on a production of it, and it was the first school play that I was able to audition for a speaking part.
I started taking piano lessons from the age of six years old. It's such an essential part of what I do in the production process. I wouldn't be Kygo today without those piano lessons.
I take the purest and hardest forms of music... and come in completely fresh from a production standpoint. It's like hip-hop production, because there's a lot of taking the best parts and a lot of the repetitiveness.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
As a child, I always wanted to be an actor. But as I grew older, the acting dream kind of faded away, and I took to studying a lot. A few years later, a relative of mine who really wanted me to try my hand at acting sent my photographs to a few production houses, and like they say, the rest is history.
One day, my mum bought me this music production software for my computer, and I started making beats... I realised it was more like production than a video game, but it was a video game when I was playing it. That's how I got into music production.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project. My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
I'm a writer. That's who I am, at my core. I'm a writer, and then I learned production and administration, along the way. I feel like most people can learn it because production and the administration part is all about logic, and it's all about learning rules and budgets.
I train like I'm training for the Olympics or for a Mr. America contest, the way I've always trained my whole life. You see, life is a battlefield. Life is survival of the fittest... How many healthy people do you know? How many happy people do you know? Think about it. People work at dying, they don't work at living. My workout is my obligation to life. It's my tranquilizer. It's part of the way I tell the truth--and telling the truth is what's kept me going all these years.
I am YOUR biggest fan, I love each one of you because of the support that you took to me. I know that people been saying that I do this for money, but I really don't. I do this for YOU, for your loyalty, for everything you've done, you are doing and you'll do in my life. Music has been my whole life since I was 4 years old, but you turned it into a whole experience of happiness. I know that I am not perfect, and maybe I don't worth it to put on your headphones and listen to this 14-years-old wannabe, full of ego and that brag about almost everything, but it's not about that, it's about you
What's holding me up is I'm confused about the nature of the music. Because the modern music doesn't reach me. I mean to say the sound of the modern electric production. A lot of sequencers... synths. That's what people are buying. Because that doesn't reach me, it throws me back to like 1948, but I don't want to be there. Back there, I'm talking about blues records... The roots of rock'n'roll is rhythm and blues and that's like really where I'm at, where I was always at.
I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
Actors play a small part in all the things that go into the making of a movie. I want to know about pre-production, post-production, shot divisions - everything.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
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