A Quote by Lara Dutta

Comedy is one of the hardest genres. You can tell if it's working or not. If the director is convinced of the vision, you have to have faith in that. — © Lara Dutta
Comedy is one of the hardest genres. You can tell if it's working or not. If the director is convinced of the vision, you have to have faith in that.
As an actor, you've got to have faith in the director's vision, that the director has a vision for this that is greater than the critics say.
To be honest, I'm probably more of a comedy person, actually. I really enjoy the comedy stuff, and I've got some things I'll be working on that I think are just different ways of combining genres in comedy and drama and action.
It's rare that I'm working on a movie and that's the case. My goal is the same, ultimately at a certain point you give it to the director and their vision. You're there to support that vision.
Faith is indeed the energy of our whole universe directed to the highest form of being. Faith gives stability to our view of the universe. By faith we are convinced that our impressions of things without are not dreams or delusions, but, for us, true representations of our environment. By faith we are convinced that the signs of permanence, order, progress, which we observe in nature are true. By faith we are convinced that fellowship is possible with our fellow man and with God.
The hardest lesson to learn always is to just have faith in that you will always have something to say or a story to tell. I have faith that I'll be able to continue to tell stories, write and tell stories. You just need to keep going at it.
I am the hardest working director.
I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
It does not feel any different being directed by a first-timer as long as I am convinced that the director is passionate about the film he or she is making. If you get a sense of their vision for the film and their aesthetics of your performance, then it does not matter whether you work with a new or an experienced director.
When I do a film, usually I work from my director. That's my boss. The director is interpreting the writer's vision, and we all interpret it, and they create their own vision as well.
In films, you have to follow the director's vision. Filmmaking is a director's medium. So everything happens as per the script and his vision.
An actor is nothing without the vision of the director. The director needs to have a vision that will cross boundaries, that makes the audience sit on the edge of their seats and that pushes the envelope.
I believe that the director is really the soul. It is a collaborative effort, but the director is the one who needs to have that vision. It could be a great script, but it starts from there. You need to have good material, at least, but if you don't have someone with vision, it's just words.
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
The first thing you do as a producer is you try to understand the director's vision in as deeply a way as you can. Sometimes, you end up with a director that has more vision or sometime they have less vision. You hope that they have more. In the case where they have more, you need to understand it in the deepest way you can.
The process of working with the second unit director and basically sharing your workload with another director is such an interesting, delicate thing - and entrusting that person with your vision and making sure that you are not adding a completely different aesthetic to the mix that you don't have to contend with in editing.
If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.
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