A Quote by Lara Dutta
Most of the time actresses are just left to play the actor's wife or girlfriend so there is not much to do. 'Chalo Dilli' was a refreshing change which was different and that's why I decided to work in it.
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For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.
When I train, I love to take time off and fly to the Natural History Museum or an exhibition. I just love that. When you know your past, it will help you with your future… That’s why most of my friends are not fighters. Most of my friends are nerds like me. That’s why I have a hard time finding a girlfriend. I need someone to talk science with. I’m married to my work right now. But you never know. One day I could wake up and just do something different. Life is so unpredictable.
I have been singularly blessed to be a granddaughter to one of the most accomplished classical vocalists of her time, daughter to one of the most ravishingly beautiful actresses ever, and wife to the greatest actor. What more can I desire?
I'm not just interested in the thoughts I have, but also in others' thoughts, and why not carry those forward? That's why American fiction can be so thin. All these fears, like not seeming to be original - I mean, hell, most stuff isn't. The question is whether you can articulate your thoughts for the moment in which you're living, which is a different time. Say them in a newer way. There are new events, and language changes - sensibilities change. We are writing in and of the time we're in. Oh, it's a weird time.
The girlfriend roles that we are usually offered are nearly always just kind and supportive. So it is refreshing for women and for men to see something different.
I didn't understand at first why I couldn't meet a guy for so long. But as time goes by, I understood why actresses usually get married late. I think their hearts for work become bigger and happiness from the work takes the most space in their hearts.
Something like the alleyway scene, where it's like a mini one-act play and you run the whole 18 pages of it, it's so much easier to get lost in it. That's why actors love doing theater so much, I guarantee you. It's refreshing to be able to do something where you don't have to be stopped every two seconds, and you can just play it out and it's done.
I don't think there is just one Louis Vuitton woman. That is why, for the fall/winter 2011 show, I loved the idea of lots of different characters - a wife, a mistress, a girlfriend - stepping out of the row of hotel elevators.
When I decided to become a Christian and decided to change my life and just totally quit screwing up, it was like, 'Wow, why didn't I do this before?' No hiding anything. I just felt so much better, not only about myself, but my future, my family. It was awesome, and it didn't take me long to realize that.
Every time you play a different role with different actors in different locations, you're developing a greater level of comfort in the act of doing this, which is why you're getting better all the time.
There aren't a lot of movies being made about women, period. Most of the time, the roles that are available are the sidekick, the friend, the girlfriend or the wife, and they just aren't that interesting.
For the most part, it's a very male-dominated business. Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that, even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
If I only did TV show, I'd probably not be the happiest girl. I love the show, but I'm an actor and I want to work on different things. TV lasts for so much of the year that you're just aching to play a different part. And I love movies so much that I want to be a part of as many as I can.
Usually the beginning of a story that people hear a lot. For example, "My girlfriend is upset about her new haircut" or "My dad keeps losing his car keys." And then I just think of different ways the story could end. "My girlfriend is upset about her new haircut. I don't understand why she's crying. I'm the one who has to get a new girlfriend." Then I try it out on stage. I don't do a lot of re-writing. My jokes either work or they don't. The trick is just to write a ton of jokes.
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