A Quote by Lara Dutta

I play characters that allow me to do lot more than just be a glamorous heroine. — © Lara Dutta
I play characters that allow me to do lot more than just be a glamorous heroine.
Every actor, I don't care what they say, their roles are a lot more interesting than we are, and at the end of the day, it's still entertainment or fantasy. I think we can learn a lot from the characters we play and I find that the characters are even more noble than myself.
All the characters I've ever played have really had nothing to do with looks. There's a lot of things that are a lot more interesting to me to play than that.
I don't want to be typecast as a heroine doing just glamorous roles.
It's glamorous when a movie is released, but then you feel disconnected from it. Someone asked if it wouldn't be more glamorous for me being on Broadway rather than Off Broadway, but I thought, 'What's the difference?' The Orpheum is a smaller house, that's all. And there are no mikes, so you just talk louder.
I was doing well for myself and wanted to play different roles and not just be happy portraying glamorous characters.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
A lot of people always ask me about what life is like. Yes, it's glamorous, it's glitzy, but there is a lot more goes on than that glitz and glamour you see in a photograph or on a red carpet.
It's so reassuring to have a woman heroine who triumphs with more than just what she has on the outside... who has more to offer the world than just a pretty picture.
It's so reassuring to have a woman heroine who triumphs with more than just what she has on the outside who has more to offer the world than just a pretty picture.
I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
GOOD AS NEW was born out of the idea of writing a play where the stakes were high and the collisions were of a verbal nature. Also I wanted to write a play where people were smarter than I was, and more alive than I feel normally. I became interested in the idea of characters who would surprise me. I guess one could argue that nothing comes out of you that wasn't within you to begin with, but maybe there are ways to trick yourself into becoming more an observer or an advocate for the characters.
I want to play good characters, not glamorous ones.
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