A Quote by Lara Flynn Boyle

I spent every day just praying that I didn't look like a big dork on camera. — © Lara Flynn Boyle
I spent every day just praying that I didn't look like a big dork on camera.
Steve, it's OK. I know Angle is a dork, but he's a dangerous dork, our dork and your backup dork!
It's hard to put yourself in front of a camera, in front of the world, when you don't feel like you look the part. I've always had that problem. But I deal with it every day. When I'm interviewing, I'm like, "How do I look? Do I look all right?"
I'm praying for America, and I'm praying that one day we'll look back and we're going to say, 'You know what, that Donald Trump presidency... it was all right.'
I hope we'll be able to see that in our lifetime: the end of the camera! When I'm in Paris, I'll buy a big bottle of champagne and I'll save it for that day, for the day when they'll be no more camera.
To be honest, I don't know... something about the camera like turns me into such a diva. Like when it's on and I see my face in the camera, I'm just like, oh girl you look so good!
I admit, I don't look like the athlete of the day's supposed to look. My belly's just a little big, my heinie's just a little big, but, brother, I am bad, and they know I'm bad.
Any big task if you look at the grand picture... it seems to big to accomplish, so just watch the footstep in front of you... And that's what I do; try and win little battles every day.
What I love about this job is it's literally a different day every single day, isn't it? One day you're a nurse, the next day you're in a band - you can just make it up. I'm just a big kid, and that's really what this job is - just playing dress-up every day.
I'm very heavily involved in the editorial post-production process, and the camera - it's just such a big part of my storytelling language. I like creating the tension; I like creating the emotion through the movement of my camera, or the lack of movement through my camera, depending on what fits the scene best.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.
I loathed every day and regret every day I spent in school. I like to be taught to read and write and add and then be left alone.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
During my days of deepest grief, in all of my shock, sorrow and struggle, I sat at the feet of God. I literally spent hours each day reading God's word, meditating on scripture and praying. I intentionally spent a significant amount of time being still before God.
When every day became a hangover and when you look at yourself in the mirror and go 'I don't like how you're coming across to people.' and when every day just started to feel the same. After the 50th shag, it doesn't mean so much anymore.
There are ways of angling the camera. I don't just use a tripod. The only time I did that was in '88 when I first came out of detox, I spent every day doing self-portraits to fit back into my own skin. I didn't know what the world looked like - what I looked like - so in order to fit back into myself, I took self-portraits everyday to give myself courage and to fit the pieces back together. I used a tripod then.
This site uses cookies to ensure you get the best experience. More info...
Got it!