A Quote by Lara Giddings

The sad thing is that apparently if you want to become the next Premier or the leader, suddenly you've got to shut down your human side. — © Lara Giddings
The sad thing is that apparently if you want to become the next Premier or the leader, suddenly you've got to shut down your human side.
Your first leader is your dad. 'course he controls your food and shelter, so, he's not really a leader, he's more of a fascist dictator. But dictators have dreams too. Your dad doesn't. He gave them up when he had you. So remember that next time you say, I don't want to cut the lawn. Just shut up and mow the grass and save the lip for your teachers.
You have got to goad yourself toward a becoming that is in accordance with what you are innate. You have got to sometimes become the medicine you want to take. You have got to, you have absolutely got to put your face into the gash and sniff, and lick. You have got to learn to get sick. You have got to reestablish the integrity of your emotions so that their violence can become a health and so that you can keep on becoming. There is no sacrifice. You have got to want to live. You have got to force yourself to want to.
I think people expect when you have a new Premier that it's that Premier's prerogative to look at everything on the table and say, 'Well I'm the leader now. What do I want to take forward and what don't I?'
Love is also a very violent thing. Totally violent. Suddenly, you are, like, at this party your friends invite you to, and you meet this person, and your life is turned upside down, and the next day you can't stop thinking about them. That's violent. Hopefully, it's for the better, but it's a violent thing.
Even after I got my divorce, the ink wasn't even dry on the paper, and I said, 'Ooh, the next time I become a wife, I got this thing down pat!' I always believed that there was someone built for me.
When you really want a role and you really want a character, you become quite close to the script and the project, and it is sad when it doesn't go your way. But I've found there's always another one, which will be as good if not better. You can't let your failures bring you down when you're an actor, because then you can't get up.
Anger is active sadness; sadness is inactive anger. They are not two things. Watch your own behaviour. When do you find yourself sad? You find yourself sad only in situations where you cannot be angry. The boss in the office says something and you cannot be angry; it is uneconomical. You cannot be angry and you have to go on smiling - then you become sad. The energy has become inactive. You come home, and with your wife you find a small thing, anything irrelevant, and you become angry.
Death’s a funny thing. I used to think it was a big, sudden thing, like a huge owl that would swoop down out of the night and carry you off. I don’t anymore. I think it’s a slow thing. Like a thief who comes to your house day after day, taking a little thing here and a little thing there, and one day you walk round your house and there’s nothing there to keep you, nothing to make you want to stay. And then you lie down and shut up forever. Lots of little deaths until the last big one.
When you get into the habit of leaving a space, you become a much better player for it. If you've got an expressive style, and can express your emotions through your guitar, and you've got a great tone, it creates a lot of tension for the audience. It's all down to the feel thing.
I see people allowing their lives to diminish, to become shallow, so they can't enjoy the deep wells of experience. Maybe it's always been this way, when the heart tends to shut down. If only the heart shut down and there were no repercussions, it would be O.K., but when the heart shuts down, the whole system goes into a kind of despair that is intolerable.
I think 26 is the turning point. I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.
Did A tell you your eyes remind me of blown glass? I can see your soul through those eyes, Amy. They get darker when you’re trying to be sexy and shine when you smile. And when you think you’re in trouble you blink double the amount that you usually do. And when your sad the corners of your eyes turn down. I miss your eyes. And I don’t want the sad ones to be my last memory of you.
I see someone who is an adult now, but when you were a child you actually had a seer anointing and you used to see into the realm of the supernatural. It was the realm of the invisible kingdom of God. You saw things on that dark side and things on God's side and you were put down for your seer ability and so you shut it down.
Sometimes it happens that you become one, in some rare moment. Watch the ocean, the tremendous wildness of it--and suddenly you forget your split, your schizophrenia; you relax. Or, moving in the Himalayas, seeing the virgin snow on the Himalayan peaks, suddenly a coolness surrounds you and you need not be false because there is no other human being to be false to. You fall together.
The trick to techno, as a connoisseur, is that you got to do two things: keep your hands down and your mouth shut.
I just want my kid to not hate and to be a good human. That's what you try to do. You hope that they are the next evolution of your thing.
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