A Quote by Lara Logan

Behind the scenes there is a secretive, undeclared war of revenge that's already under way. — © Lara Logan
Behind the scenes there is a secretive, undeclared war of revenge that's already under way.
God's ways are behind the scenes, but He moves all the scenes which He is behind.
Actors are journeymen. We show up for work. We do the job and then we go. What goes on behind the scenes is what goes on behind the scenes.
No war can end war except a total war which leaves no human creature on earth. Each war creates the causes of war: hate, desire for revenge and have-nots, desperate with need.
Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
Let's see if we can't get this war behind us now. Certainly, the man in the street, the common person there, wants to have this war behind him. I think a lot of the soldiers are very war-weary too.
Revenge for a terror attack is ideal for Putin's model. His propaganda machine will be filled with scenes of crash victims if [Vladimir] Putin sees the need for a larger war to stoke his domestic support again as the Russian economy teeters.
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
War scenes are less difficult than love scenes.
We are at war - undeclared and of such a subtle nature that few have noticed - but war nevertheless. It is a cyberwar on many fronts, in which it is difficult to identify who is friend and who is foe. I will predict now, as unintelligible as it may seem, that Anonymous will turn out to be more friend than foe.
My character Saurabh Singhania is a rich, bad guy who is driven by revenge, so much that you feel like scratching his face or throwing stones at him. The intimate scenes in the trailer are creating quite a buzz... I wish they had shown more of the story instead of the sizzling scenes. The film is not about boldness or intimacy.
I joined the army to avenge the deaths of my family and to survive, but I've come to learn that if I am going to take revenge, in that process I will kill another person whose family will want revenge; then revenge and revenge and revenge will never come to an end.
From April 1775 to July 1776, the undeclared war between England and its American colonies smoldered, flared up, appeared to sputter out... It was hardly, ever, a mass rebellion.
You gleefully say, "I just thought of something!", when in fact your brain performed an enormous amount of work before your moment of genius struck. When an idea is served up from behind the scenes, your neural circuitry has been working on it for hours or days or years, consolidating information and trying out new combinations. But you take credit without further wonderment at the vast, hidden machinery behind the scenes.
Imagination is the most powerful tool you have. You learn it from all the greats. The Star Wars films are secretive. Anything J.J. Abrams does is secretive. Those guys haven't done too poorly.
I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy.
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